Neverandy,
I was suprised as well.. for numerous reasons. It's a bizzare day when Non-Eq companies play stints in major New York venues.
From all I have seen of Cassie as Dorothy, she seems fine in the role and I would like the chance to see.
"The Wicked Witch was played by a man (Matthew Kelly)? And they didn't even give him/her green skin?
Why???"
"Then the Witch is played by a man???
What has this tour come to?"
"Yeah, in the British production the Witch was played by a man. They seem to have fixed that for the American tour.
I still don't get why they wouldn't give the Witch green skin..."
Those quotes kind of sum up why I think this tour is a creative disaster on the part of Networks. In Britian, reinventing Oz is not very hard. It happens all the friggin time. Here in the US, however, people INSIST that MGM's Oz is the only Oz, so when you deviate too far, people hate it. It's an incredibly challenging and fine line to walk here when doing that show. A British director simply can not understand that. I do applaud them for the risk though. They also did take steps to "Americanize" it in a few ways.. ie the New Witch, the new Tinman costume, etc.
But seriously people, there is NO reason that the Witch HAS to be green - she certainly wasn't in the book, and it's never mentioned in the film. It is only of consequence in Wicked.. which this is not. If a person can't distinguish between cannonical Oz work and the MGM product and Wicked, then the person needs to ask the Wizard for a brain, because their's isn't working.
There is also NO reason that the Witch can not be a "Dame" role. It was ocnceived as such by the Royal Shakespeare Company when they created the stage adaption!
As far as the tour quality, the tornado intrigues me, the "Delirious Escape" animation at the end is great Dorothy clicks the heels and you see the plot happen in reverse, with set pieces whirling through the air and the Yellow Brick Road being sucked into a vortex, brick by brick). The Kansas animations annoy me and the production is diffinately done on the cheap. You can expect the animals to be wonderful though - trained by Bill Berloni and each haveyears of time in Oz productions.
Updated On: 1/3/09 at 01:39 PM