Entertainment Tonight did a piece on the musical. Also, there has been positive mentions on Twitter, Facebook, etc. Chicago Sun Times also did an article on it.
In case anyone wants to know, this is the full song list as of this past Thursday. I was told that "Famous" was getting cut the next night. I had SO much fun at this show, and can't wait to see it again when it come to Broadway.
Spoilers ahead, if you don't want to know the set list.
Saw On Your Feet on 6/13. I quite liked both leads and had a really great time. Wasn't familiar with the name of the actor playing Emilio (Josh Segarra) but immediately recognized him from Chicago PD. He is very cute so even if I wouldn't have like the show I would have still been pretty content with my two hours.
Anyway, I just got an email with a pretty good promo code for this Sunday (6/21) only (matinee and evening) if anyone is interested in going.
Don't get an orchestra aisle seat if you don't want to end up doing a conga line up the aisle. Learned that the hard way :)
If the image doesn't show up the promo code is FATHER for bogo free.
I got the offer too - and am trying to see if my family likes me enough to treat me to a Father's Day show....(note: the offer is on pairs of tickets only)
Does anyone know how rush has been lately? I wanna try to get up to Chicago in the next two weeks to catch this. Judging by seats available online, it looks like rush can't be an extremely hard thing to acquire. Also, does anyone know of any other discounts besides fathers day? I doubt I'll find a First Wives Club type deal ($9.99), but I'd still like to get the best seat for the best price.
I know they do some sort of $25 on the 25th thing. I'm not clear on whether that's for tickets purchased on the 25th for future dates or for shows on the 25th. BIC also supposedly sends discount codes via Twitter on Tuesdays and Instagram on Thursdays but I haven't seen any for this show.
From the looks of that clip i see a cheeky, Las Vegas type of concert. Let's see what the "book" brings to the proceedings. The choreography looks almost pedestrian, but I'm sure it's her music that will save the day. For her fans that is.
"I can’t remember the last pre-Broadway tryout I saw in Chicago that was already as self-assured as On Your Feet!, the new musical bio of Gloria Estefan and her producer-manager husband, Emilio. I might point to Kinky Boots, which shares On Your Feet!’s director, Jerry Mitchell. But as thrilling as that show was in Chicago in 2012, I saw elements that could be improved. It’s hard to say the same about this smart, slick but heartfelt new crowd pleaser."
"Dinelaris and Mitchell keep the story smartly structured and paced, and the songs are integrated more organically than in any other “jukebox” musical in memory."
"The storytelling is so sophisticated it makes Motown the Musical look like a school pageant."
"It feels a step too far to give the “perfect” five-star rating to a show that’s bound to keep evolving before its October New York bow. But maybe it’s enough to know I considered it."
Where else should we be looking for Chicago reviews? Chicago Tribune doesn't have anything up yet. The show opened last night...
yay I'm happy for them!! Honestly, idk why, but for some reason i really thought Beautiful was gonna flop. Clearly i was soo wrong and I'm happy because i ****ing LOVE Beautiful!! Jessie Mueller was brilliant!!
My favorite line from that Time Out review is "The storytelling is so sophisticated it makes Motown the Musical look like a school pageant." HAH!
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
It is largely positive but recognizes some issues that need to be fixed.
Here's the summary at the end
Many tryout shows are locked into their problems. Not this one. The machinery of its visual structure, and its dramaturgy, are both secure. The performances are richly connected. The emphasis on unity and family are the right impulses, given the Estefan biography and the Cuban moment (you can't take your kids to “Jersey Boys”; you can to “On Your Feet!&rdquo. There is a carefully modesty to the whole affair — a tone that can be progressively upped and amplified in the work before Broadway.
For the Estefans' determination that the Miami Sound Machine be fueled more with optimism than division has finally proved prescient: It is not hard to imagine the scene when “On Your Feet!” plays Havana, as Cuba and America make their new, cautious embrace.