The overture and entr'acte to The Pirate Queen are both really great to me. It seemed that the trouble truly started when the actors opened their mouths.
I love the overtures from CHICAGO and DRS. I also love the Entr'Acte from Phantom, which I refer to as it's "real" overture because the first one is really just transitional music (not to say its not awesome).
Whoa, whoa, whoa! Guys, what exactly is your definition of an OVERTURE? How could Wicked even be considered to have an overture, even the best?!! It's like twenty seconds long!! And I saw "Into the Woods" mentioned, which has neither an overture or an entr'acte. It doesn't even have an unused one like Chorus Line.
On the subject, H2$ revival has a great, re-arranged overture. And of course, The Full Monty is so vibrant...and the great plus is that it's not just a taste of the musical themes, but a taste of the feel of the fun show ahead. DRS somewhat accomplishes it, but it's a bit too long, plus it's the same theme as "The Reckoning".
I'm also a fan of Urinetown's overture, sharing the same attributes as Full Monty. And, because it's my favorite musical, I have to give a thumbs-up to the entr'acte of Avenue Q, even though I have never heard the original...
I agree with the above, but I don't see how one could argue that Phantom of the Opera doesn't have an overture/entr'acte, as someone on this thread did earlier. It has both: a 3-minute overture and an entr'acte that's similar in length, technically. Yes, they're just the musical themes rearranged, but I still enjoy the entr'acte. Anyway, my list, roughly in order...
Overtures: Merrily We Roll Along, The Light in the Piazza, My Fair Lady Entr'Actes: Cabaret, Phantom of the Opera, Ragtime
Updated On: 12/29/06 at 08:42 PM
Overtures: West Side Story, Candide Entr'actes: Beauty & The Beast, Cabaret (although Cabaret's best orchestral sounds come out in the fabulous "finale ultimo" IMO)
Wasn't that kind of implied before this thread was even thought up? I'm pretty sure that is just what everyone knows/considers the default 'favorite overture' to be.
I think the best overture of all time has to be FOLLIES
followed by Chicago.
I also really like LITP
...What happened next, was stranger still, a woman breathless and afraid, appeared out of the night, completely dressed in white. She had a secret she would tell, of one who had mistreated her. Her face and frightened gaze, my mind cannot erase...But then she ran from view. She looked so much like you...
C is for Company, I have posted "So we all agree it's Gypsy, right?" at least a dozen times on at least a dozen different threads. I am amused at how many times the kids ask this question. This is really becoming our site's "Are we there yet?"