Was wondering what shows you all have seen done successfully with just a piano (opposed to a full orchestra). We recently did "Charlie Brown," chosen specifically because it's known to be done often with just a piano. Specifically, we were thinking of either "Little Shop" or "Urinetown," but are still looking. Has anyone seen/done either of those with just a piano? What are some others?
I played 'Charlie Brown' in a production YAGMCB with ... just a piano as accompaniment. It was a VERY minimalistic production, we used black boxes for desks, the brick wall, etc., etc. It works VERY WELL, actually. LITTLE SHOP OF HORRORS might leave a bit to be desired (from both the performers AND the spectators), but that's just my opinion. URiNETOWN -- Hmm. Toughie, toughie. Piano alone COULD work, but it wouldn't do the score all that much justice. How big would your cast(s) be for this future mounting anyway?
I saw a regional production of GUYS AND DOLLS that was sort of set abstractly in a piano bar and they just had a guy on piano and it worked really well with their space and design.
These days, a single keyboard can run an entire orchestra.
But I am sure you can get people who play other instruments to volunteer to do a production for free. Check local churches and schools.
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I was in a production of Urinetown with a piano, a keyboard and drums.
Some other shows: The Musical of Musical...the musical! Last 5 Years Forum How To Succeed Songs For A New World Closer Than Ever I Love You, You're Perfect, Now Change! Ruthless Reefer Madness, I guess Tell Me On A Sunday
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Yikes! I shudder to think of QUILTERS with just a piano. The show actualy has NO piano part whatsoever. It is written for guitar/banjo, fiddle, hammered dulcimer and bass, and should have that authentic, rustic country sound.
I've seen The Fantasticks about 5 times, and if I'm not mistaken they never used anything BUT a piano, right? ?
I believe it was originally written for just piano and harp, and that is what they always used off-Broadway. I've seen it done with drums (and someting else, I forget what) and no harp. I think there is even a fuller-instrumentalized version. But this would be a very good candidate for piano only. (Although the harp underscoring is beautiful. Updated On: 3/31/07 at 05:35 AM
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By the way, I think a really scaled down production of Sweeney Todd would work with just a piano.
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"By the way, I think a really scaled down production of Sweeney Todd would work with just a piano".
Matt, you know what I really hate? Is it just me? I hate a "scaled back" production of ANYTHING! I hate all these "concerts" where people just stand on the stage (sometimes in costume, sometimes not) and just SING the music from a musical. It burned me so bad on Les Miz (a VHS that was released a long time ago) that I've never mustered up the encouragement to actually SEE the real thing (though I'm sure it's brilliant). Either DO the play or DON'T. Though not professional, mind you, my friends and I could put on a version of GREASE on the hood of my CAR... but I wouldn't expect any sell-outs. It's just DUMB... especially since these days you have to take out a f***ing MORTGAGE to see ANYTHING! It's the same SH=T in Dallas, too. They tell you "Oh!!!! WICKED is coming! Buy your tickets NOW!" But NOW translates into "Get your crummy BALCONY tickets in the last ROW, LAST 2 SEATS to the WALL on the LEFT". Bring your benoculars, for sure... or maybe a TELESCOPE would be preferable. Oh, my gosh! I better go - I'm getting bitter.
Wasn't the SWEENEY revival pretty much a scaled down production?
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O clemens O pia
Just about any revue will work with just a piano. THE FANTASTICKS was indeed written for piano and harp, but you can get by with just a piano. If you're feeling adventuresome, there are other things in the Jones/Schmidt canon that are pretty much piano only: BONES, CELEBRATION (a sadly neglected work, IMHO), ROADHOUSE, and of course I DO I DO. If you're willing to do a little research, there's a revue based on the cartoons of Jules Feiffer that's also in sore need of revisiting, particularly these days (somehow, those things he wrote about in the 50s and 60s are back all in their obsessively crazy wonder). I LOVE YOU YOU'RE PERFECT is a cute show but falls apart in the middle of the second act; still, it would work.
Insofar as scaled back works, if it's done intelligently and with concept, it can be done. SWEENEY pretty much hit the mark. There was a minimalist MY FAIR LADY in Chicago that was incredibly well done, and the small-scale revival of PACIFIC OVERTURES was a tiny gem. Like everything else, it depends on how you approach it.
Now, is it fair to someone who's spending a hundred-plus bucks on a ticket? IMHO, no. But that's another issue altogether.
Fantasticks is origibnally piano and harp, but they added bass and drums for the original cast recording, and those parts are available, as well as the crappy full orchestration used for the international tour that added a chorus (stupid idea!)
I Do, I Do had a full orchestra on Broadway, but sounds wonderful on just piano. The 1996 Off-Broadway revival used two pianos.
Lucky Stiff works really well with just piano. And I've seen Into The Woods done really successfuly with 2 pianos and percussion. I also think Romance! Romance!, Closer Than Ever and Falsettos could work well with just one piano. I think it all comes down to how accomplished the pianist is and how much experience they have in bring out all the orchestral colours on a piano.
Well, it sort of works for tick, tick...BOOM but even in that show there was a pit band. Although, it could work, I suppose, with just a piano. I know that in "30/90" and "Why" the piano is the primary instrument used (unless, I'm forgetting some other songs...which I probably am).
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