In the last season, each cast member got $1 million an episode. Matthew Perry DEFINITELY took a pay cut.
I found the show, unwatchable; but then, that's exactly how I felt about THE WEST WING, so, I thought it would be a big hit.
i don't really care what anybody else thinks about the show or whether or not it worked on the merits or whether it was able to steal viewers from david caruso's hideously awful eye candy bastardization of a great show. i like it. i like the dialogue even when it's hokey and the characters even when they do things that no real person would even consider. what's wrong with a little earnestness? why not take a tv show that seriously? does anyone here think that the folks who actually make shows don't take them that seriously?
fight me!
Broadway Star Joined: 5/11/06
This doesn't surprise me. It's too confusing too watch. The characters are soulless and they talk so quickly that half the time I can't understand them. Buh bye.
Broadway Legend Joined: 3/4/04
The things you do in the White House change the world. The things you do on SNL? Not so much. I can appreciate earnestness in censorship fights- something I vaguely remember Sorkin covering in Sports Night, too- but if someone's going to argue that "your TV is a crack pipe", in no way does a weekly live sketch comedy show strike me as the thoughtful, meaningful solution. I liked it when the show backed off of that angle and looked at other issues instead, or just let the characters yak Sorkinishly. But the show just didn't grab me enough to get me to keep watching.
Updated On: 10/29/06 at 11:11 PM
In most jobs people take their work very seriously, and the idea of the show is that Comedy can make you change the way you look at the world. In the idealized notions of fiction this can be very true in any artistic setting. That comedy and television are in fact art, or can be, may be debateable but the show tried to show that both are.
Art is and should be just as essential as politics, in the history of the culture it is often far more essential. The world is changed in people's minds, there is no limitation on where and how that can be done.
This early in a show the Characters have not been allowed to develop fully. (Harriet as the example brought up here could have had quite an essential backstory we will never know)
That said at this point there were some weak moments in this show, and it may not have lived up to those ideals.
Broadway Legend Joined: 7/22/03
Viewers just weren't that into it.
It's not you, it's me.
Broadway Legend Joined: 7/22/03
I just worry that when everybody tunes in for the next episode there'll be a Post-It note on instead.
Studio 60 broke up with me on a Post-It note.
I like the show. I hope it gets a chance.
What it needed was a good shot of Tina Fey and Alec Baldwin...oh, wait...
Broadway Legend Joined: 3/4/04
Penguin, I'm writing my thesis on the intertwined nature of drama and politics, but faux-SNL just isn't going to cut it for me as an example of that. It doesn't hold that weight.
Broadway Legend Joined: 1/3/05
I don't get it. There are so many crappy tv shows on the air. All this reality tv and bad sitcoms. Now a show comes on that actually has potential and gets canned before it has a chance to find its voice and its audience.
The problem is that Studio 60 DID find an audience right off the bat. It's just been losing that audience by the millions every week.
Well, last night's episode didn't help grab any viewers.
did i miss something last night or did they just completely disregard the entire time/space continuum by putting tom in a car that made it to nevada hours ahead of a plane?
Broadway Legend Joined: 2/20/04
Tom was enroute to Nevada at least an hour before they decided to fly out there. PLUS - it takes a little time to get the corporate jet ready to roll. PLUS- the jet landed in Vegas and they then had to drive to Pahrump.
The most unrealistic thing is that the W. Hollywood cops shipped him off to Nevada without searching him or changing him out of the shepherd/Jesus costume and leather jecket.
The whole thing was unrealistic. I mean, would three scuzzy looking gay men start verbally attacking Kristen Chenoweth on the street?
Broadway Legend Joined: 12/31/69
I can't count the times I yelled "OH, LIKE THAT would happen!!"
I think this was supposed to be the "we missed the motorcade" episode of The West Wing. It had me until this week. I will miss it.
Broadway Legend Joined: 5/27/05
Last night was probably my least favorite episode. I think I don't enjoy it as much when they leave the studio. The gang of gay hooligans did make me giggle, though.
Broadway Legend Joined: 12/31/69
I loved how The Gays were so outraged they SMASHED HER CD! So THERE!
i could do a much better job as a story editor for this show. as someone who has worked for a sketch weekly, this show is complete BS most of the time. i know they have some consultants who are trying to make the environs more realistic, but is anybody listening to them?
i can't stand to watch this show -- BUT i love matthew perry's performance and those are words i never imagined i'd ever say.
All of this desire for realism from people who believe that green women can fly, puppets can sing and dance, and french students sing before engaging in an insurrection.
It's a heightened reality--not a documentary.
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