TCM Love Thread — Page 18
#427
Posted: 2/8/08 at 1:02am
In 1965, I went to The Boyd Theater, which was Philadelphia's Cinerama theater, to see The Greatest Story Ever Told. I thought it was ponderous, beyond belief. However, on that gigantic screen, I also found it the most exquisite-looking motion picture I had ever seen.
In 1968, also at The Boyd Theater, I saw 2001: A Space Odyssey. Ponderous had found a new weight. But, unlike TGSET, I found nothing exquisite about it. Just dull, dull, dull. The story was dull, the re-hashed musical score was dull, the sets were dull (BLACK AND WHITE!!!!), and nothing of interest happened. NOTHING! That gigantic screen just seemed to amplify the dullness. Well, 40 years have passed, and I figured it was time to give this "classic" another go. That I made it to the 90 minute mark was a major accomplishment. Is it possible that it is even more ponderous than I remembered? It's still duller than ever, with uninvolving black and white sets, but what passed for somewhat modern in 1968, just looks like Ikea, in 2008. So, I suppose I get why somebody thought this was cool in 1968 (I was more impressed with the first few black and white episodes of Lost in Space, on my TV screen in 1965); but does anyone still think so?
In 1968, also at The Boyd Theater, I saw 2001: A Space Odyssey. Ponderous had found a new weight. But, unlike TGSET, I found nothing exquisite about it. Just dull, dull, dull. The story was dull, the re-hashed musical score was dull, the sets were dull (BLACK AND WHITE!!!!), and nothing of interest happened. NOTHING! That gigantic screen just seemed to amplify the dullness. Well, 40 years have passed, and I figured it was time to give this "classic" another go. That I made it to the 90 minute mark was a major accomplishment. Is it possible that it is even more ponderous than I remembered? It's still duller than ever, with uninvolving black and white sets, but what passed for somewhat modern in 1968, just looks like Ikea, in 2008. So, I suppose I get why somebody thought this was cool in 1968 (I was more impressed with the first few black and white episodes of Lost in Space, on my TV screen in 1965); but does anyone still think so?
Updated On: 2/8/08 at 01:02 AM
#428
Posted: 2/8/08 at 1:18am
Hep, that is quite hilarious!
"Be on your guard! Jerks on the loose!"
http://www.roches.com/television/ss83kod.html
**********
"If any relationship involves a flow chart, get out of it...FAST!"
~ Best12Bars
http://www.roches.com/television/ss83kod.html
**********
"If any relationship involves a flow chart, get out of it...FAST!"
~ Best12Bars
#429
Posted: 2/8/08 at 8:39am
I really do love TCM!
Now Playing -
Now Playing -
" ...the happiness in the tune convinces me that I'm not afraid."
Updated On: 2/8/08 at 08:39 AM
#430
Posted: 2/8/08 at 8:44am
Oh - I can't see your picture! I'm stuck at work so why don't you tell me what you're watching so I can be jealous?
www.thebreastcancersite.com
A click for life.
mamie4 5/14/03
A click for life.
mamie4 5/14/03
#431
Posted: 2/8/08 at 8:47am
LOL - the seventh try was the charm. :)
" ...the happiness in the tune convinces me that I'm not afraid."
#432
Posted: 2/8/08 at 10:06am
Awe - I just love little Jackie Cooper.
www.thebreastcancersite.com
A click for life.
mamie4 5/14/03
A click for life.
mamie4 5/14/03
#433
Posted: 2/8/08 at 10:33am
At the Oscar ceremony that year, Jackie Cooper fell asleep in Marie Dressler's lap.
'Try not to have a good time...this is supposed to be educational.' - Lucy Van Pelt
#434
Posted: 2/8/08 at 10:42am
2001 can be intimidating, but it really requires multiple viewings if one is inclined to try to grasp a cinematic essay on the origins of life.
#435
Posted: 2/8/08 at 10:44am
It would help if the 2001 audience was high.
'Try not to have a good time...this is supposed to be educational.' - Lucy Van Pelt
#437
Posted: 2/10/08 at 7:00am
re 2001 - I first saw this film on the big screen when it was first released and it really was more of a visual pleasure than anything else. I then got hold of the book as soon as it was released (very shortly after the film was released) and read it. I then had the opportunity to see the film again at a theatre and it was easy to understand the different elements of the film. I love it.
www.thebreastcancersite.com
A click for life.
mamie4 5/14/03
A click for life.
mamie4 5/14/03
#438
Posted: 2/10/08 at 9:17am
Gaslight is coming on in a bit. I adore Angela's performance in it.
Angela talks about making her first movie
Angela talks about making her first movie
"The gods who nurse this universe think little of mortals' cares. They sit in crowds on exclusive clouds and laugh at our love affairs. I might have had a real romance if they'd given me a chance. I loved him, but he didn't love me. I wanted him, but he didn't want me. Then the gods had a spree and indulged in another whim. Now he loves me, but I don't love him." - Cole Porter
#439
Posted: 2/10/08 at 10:15am
God she's gorgeous!
" ...the happiness in the tune convinces me that I'm not afraid."
Updated On: 2/10/08 at 10:15 AM
#440
Posted: 2/10/08 at 10:18am
Today is a good day on TCM. Gaslight, The Maltese Falcon, Murder on the Orient Express (Bergman is great in that!) and Sleuth. My Sunday is spoken for.
#441
Posted: 2/10/08 at 10:19am
Yeah - I have to work until 6:45.
Damn Ballet Company.
Damn Ballet Company.
" ...the happiness in the tune convinces me that I'm not afraid."
#442
Posted: 2/10/08 at 10:34am
Dang it. Boyer just doesn't let up!
" ...the happiness in the tune convinces me that I'm not afraid."
#443
Posted: 2/10/08 at 10:48am
He certainly is tenacious. If he doesn't simmer, he's going to cause that woman some mental issues.
#444
Posted: 2/10/08 at 11:35am
Now, Spellbound and more of the radiant Ingrid Bergman.
#445
Posted: 2/13/08 at 10:10am
Oh, poor me! I can't get to the office because of the ice storm, and I'm being forced to watch CARY GRANT all day!
10:15 AM Once Upon a Honeymoon (1942)
A radio correspondent tries to rescue a burlesque queen from her marriage to a Nazi official. Cast: Ginger Rogers, Cary Grant, Walter Slezak. Dir: Leo McCarey. BW-115 mins
12:15 PM My Favorite Wife (1940)
A shipwrecked woman is rescued just in time for her husband's re-marriage.
Cast: Cary Grant, Irene Dunne, Randolph Scott. Dir: Garson Kanin. BW-88 mins
1:45 PM Operation Petticoat (1959)
During World War II, the crew of a decrepit submarine takes on a team of Navy nurses. Cast: Cary Grant, Tony Curtis, Dina Merrill. Dir: Blake Edwards. C-121 mins, Letterbox Format
4:00 PM Father Goose (1964)
A WWII drifter finds himself protecting schoolgirls and their beautiful teacher.
Cast: Cary Grant, Leslie Caron, Trevor Howard. Dir: Ralph Nelson. C-116 mins, Letterbox Format
6:00 PM Houseboat (1958 )
An Italian socialite on the run signs on as housekeeper for a widower with three children. Cast: Cary Grant, Sophia Loren, Martha Hyer. Dir: Melville Shavelson. C-110 mins, Letterbox Format
"Be on your guard! Jerks on the loose!"
http://www.roches.com/television/ss83kod.html
**********
"If any relationship involves a flow chart, get out of it...FAST!"
~ Best12Bars
10:15 AM Once Upon a Honeymoon (1942)
A radio correspondent tries to rescue a burlesque queen from her marriage to a Nazi official. Cast: Ginger Rogers, Cary Grant, Walter Slezak. Dir: Leo McCarey. BW-115 mins
12:15 PM My Favorite Wife (1940)
A shipwrecked woman is rescued just in time for her husband's re-marriage.
Cast: Cary Grant, Irene Dunne, Randolph Scott. Dir: Garson Kanin. BW-88 mins
1:45 PM Operation Petticoat (1959)
During World War II, the crew of a decrepit submarine takes on a team of Navy nurses. Cast: Cary Grant, Tony Curtis, Dina Merrill. Dir: Blake Edwards. C-121 mins, Letterbox Format
4:00 PM Father Goose (1964)
A WWII drifter finds himself protecting schoolgirls and their beautiful teacher.
Cast: Cary Grant, Leslie Caron, Trevor Howard. Dir: Ralph Nelson. C-116 mins, Letterbox Format
6:00 PM Houseboat (1958 )
An Italian socialite on the run signs on as housekeeper for a widower with three children. Cast: Cary Grant, Sophia Loren, Martha Hyer. Dir: Melville Shavelson. C-110 mins, Letterbox Format
http://www.roches.com/television/ss83kod.html
**********
"If any relationship involves a flow chart, get out of it...FAST!"
~ Best12Bars
#447
Posted: 2/14/08 at 9:07pm
Cary Grant, William Holden, Dennis Morgan...they don't make 'em like that anymore.
*Sigh*
"Be on your guard! Jerks on the loose!"
http://www.roches.com/television/ss83kod.html
**********
"If any relationship involves a flow chart, get out of it...FAST!"
~ Best12Bars
*Sigh*
http://www.roches.com/television/ss83kod.html
**********
"If any relationship involves a flow chart, get out of it...FAST!"
~ Best12Bars
#448
Posted: 2/15/08 at 12:39am
Finally home in time to catch the end of FUNNY GIRL!
" ...the happiness in the tune convinces me that I'm not afraid."
#449
Posted: 2/15/08 at 12:40am
I think we're watching GUYS AND DOLLS tonight.
Or maybe KISS ME KATE.
Or maybe KISS ME KATE.
"Writing is like prostitution. First, you do it for love, then you do it for a few friends, and finally you do it for money." ~ Moliere
#450
Posted: 2/16/08 at 3:57pm
So we started GUYS AND DOLLS. We hadn't seen it before, but I know the story and some of the songs.
We're 40 minutes in and, I gotta say, it kinda sucks. The songs do nothing for the story or the characters. I'm not one of those people who prefers Wicked over the classics, but sheesh. I don't know how it's such a classic.
The dialogue and acting are good. It's just the songs are in the wrong place and don't do anything. If I can cut out the songs and still know what happens, then it's not a very good musical.
We're 40 minutes in and, I gotta say, it kinda sucks. The songs do nothing for the story or the characters. I'm not one of those people who prefers Wicked over the classics, but sheesh. I don't know how it's such a classic.
The dialogue and acting are good. It's just the songs are in the wrong place and don't do anything. If I can cut out the songs and still know what happens, then it's not a very good musical.
"Writing is like prostitution. First, you do it for love, then you do it for a few friends, and finally you do it for money." ~ Moliere
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