RobbieJ, I didn't hate it as much as you did, but I certainly wasn't crazy about it mostly for the same reasons you state. Also, I found some of the songs were allowed to meander a bit too much which tired my ear in the theatre. (I thought Schmuel would never end!) However, I also have come to enjoy the score a lot more via the recording.
A couple of things I wanted to add to the thread: A few people has seemed to be insinuating that the show was originally slated to be on Broadway by being done by Lincoln Center. If memory serves, and someone correct me if I’m wrong, Lincoln Center originally planed on doing this show at the Mitzi Newhouse, so it was slated to be an Off-Broadway show all along.
As far as the lawsuit is concerned. I remember reading that Brown's wife had it written into the divorce settlement that Brown was not to write any show based on her or their marriage/relationship and he went ahead and wrote one anyway which is why she took legal action. He deliberately breached their agreement.
As far as the off-Broadway run, it was an open-ended run and it did close at a loss. As for why, it just wasn't that well received. The reviews and word of mouth were both mixed on it. The recording and the two-person cast however insured that it would be done in practically every regional/community/college theatre for years to come.
Oh, and Robbie, the Cars! Oh my God I had completely forgotten about the cars! What WERE those about? Thanks for the chuckle
Updated On: 9/23/05 at 02:29 PM