I'm loving reading this thread, being a long-time Broadway fan and sometime singer myself (cabaret shows, mostly). I'm thinking of how someone like Ethel Merman sounded so robust and belty and brilliant, but she could also be very expressive singing softer, and she never seemed to lose much even in her later years and disco album! I think much of that can be attributed to roles that are well-suited to the human voice, with lots of time between songs, and the artful skill of Cole Porter, Jule Styne, Irving Berlin, etc. to write for singers. Ethel was a secretary from Queens as most of us know before bursting onto the scene, and never had a music lesson in her life, as far as I know. But she had perfect support, placement and instinctual care in the way she used her voice (not to mention a bigger vibrato, someone would say "wobble" as she got much older).
Of current singers (God! I hope we get to hear them LIVE again sometime soon!), I feel Aaon Tveit, Norbert Leo Butz, Leslie Kritzer, Danny Burstein, Kate Baldwin, Gavin Creel, not to mention again Audra, Kelli, etc. are all examples of actor singers who have good technique and should hopefully be singing and sounding good late into their careers. I must add that Nick Cordero was a beautiful singer...hearing him sing "One of the Great Ones" live on stage in A BRONX TALE was a transporting experience...we lost a great one there....
I recently had the pleasure of attending the memorial for Jerry Herman, which was a veritable parade of Broadway's shining stars, and people like Leslie Uggams killer "I Am What I Am", Marilyn Maye's "It's Today", and Michael Feinstein's "I Won't Send Roses" were glorious examples of how great older performers can be when they take care of their voice and use it properly.
Updated On: 7/8/20 at 11:01 AM