That robe did Platt no favors, and his constant grabbing and writhing in it reminded me of Petula Clark in Sunset Boulevard...
Listen, I'm not Platt's biggest fan, but he has a great voice, and he has fantastic range. He can sing legit, as evidenced by the wonderful recording of Parade. But that performance had absolutely no charisma, no character, no story-telling. No, he doesn't need to be embodying the character of Sally Bowles, but these songs are about telling a story. I didn't get anything from that performance.
Not to mention, the key was wrong. Platt is strained in the high sections, and his tone completely goes when he reaches for the optional high note at the end (surely borrowed from Chenoweth & Michelle on Glee). It's bizarre to watch someone go from clear vocals to the cloudy, grainy tenor he uses for the climax. And his vibrato is trembling throughout every held note...
If that's how he sounds tonight, I'm wondering what the vocals will be like on performance 18...
"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir
Updated On: 5/28/24 at 11:30 PM