Caught this last night. (7:05 start time, 9:35 end of exit music)
It's pretty much wall-to-wall music without any context or commentary. It lionizes Steve just like PRINCE OF BROADWAY did for Hal. Doesn't go out to change the game or anything, but I had a nice enough time.
First things first, the orchestra sounds FANTASTIC. Stationed between Sondheim's insignia and a changing backdrop giving some semblance of a set, they are visible for most of the performance and I could tell Annbritt duChateau was having a blast leading this group.
In the acting department there are many highlights to be found, especially in the showstopper-after-showstopper second act. It was a pleasure finally getting to see Peters and Salonga in a show - the former's signature warble works best in her lower register at this point in her career (I quite liked her "Send in the Clowns"), while the latter brought the house down with a ferocious rendition of "Everything's Coming Up Roses."
Beth Leavel nailed a sarcastic, devastating "Ladies Who Lunch," Bonnie Langford made an impression with "I'm Still Here," and Jeremy Secomb's Sweeney Todd will haunt my dreams.
I did have some quibbles, most notably the show contains a bit too much FOLLIES and too little of some other shows.
The decision to bookend SUNDAY in the first act was quite moving, especially getting to see Bernadette slip into Dot. So was "Not a Day Goes By," accompanied by a photo montage of Sondheim through the years.
Go and enjoy - I could see either Bernadette or Lea pick up a featured actress nomination tomorrow morning.
Stage door: I clocked everyone except for Leavel, Jasmine Forsberg, and Daniel Yearwood. (Joanna Riding came out but did not sign.) Most - including Salonga - were out by 9:50, and Bernadette was last to arrive at 10:12.
“I am furious, but I am sailing.”