BoringBoredBoard40 said: "does the show have any kind of a throughline connector besides "here is a bunch of Sondheim numbers one after another?"
I saw Old Friends last night and, though it is a thoroughly entertaining & enjoyable evening, I'm still scratching my head at some of the songs selected and, especially, the order in which they're presented. For example:
Early on, we get "Company", "The Little Things You Do Together" and "You Could Drive a Person Crazy". Understandable, so far. But then we veer into "Live Alone and Like It" and then to "Loving You". Huh? And just as I'm trying to wrap my head around that seque, we're suddenly back to Company with "Getting Married Today".
It gets even weirder later, when Bernadette performs "I Know Things Now" before she & (the excellent) Jacob Dickey do "Hello, Little Girl". Isn't that putting the cart before the horse?
And the first act ends with this head-scratching trio: Jeremy Secomb & Lea Salonga's "A Little Priest" (wrapping up a Sweeney Todd section) is followed by Beth Leavel's "Ladies Who Lunch" which is then capped by "Sunday" with the full company.
Act Two provides more of the same, with the "Tonight Quintet", "Broadway Baby", "Everybody Ought to Have a Maid", and "You Gotta Get a Gimmick" preceding a Follies section: "Waiting for the Girls Upstairs", "I'm Still Here", "Could I Leave You" (gender-swapped version), "Buddy's Blues" (the Patinkin solo version) and "The Boy From..." Oops! How did that get in here? Must have been a glitch in the matrix, because we're back to the Follies with the next song: Bernadette's "Losing My Mind". Which is followed by Lea's awe-inspiring "Everything's Coming Up Roses" (the most rapturous applause of the night).
Most of what is on display in Old Friends is terrific. Just don't try to make sense out of what songs were chosen, what were ignored (nothing from "Pacific Overtures" or "Assassins", for example) or how they were sequenced.