Regarding the Clara Bow timeline... Maybe the years don't match up exactly, but dramatization gets a little license, and we're only talking a few years off. Who better than the "It" Girl for Bonnie to idolize?
Which reminds me of one the best parts of the show I neglected to mention... the book. I never heard of Ivan Menchell, but the guy certainly knows how to write dialogue and construct drama. It's one of the best books of a musical I've seen in quite a while.
Praise also belongs to Jeff Calhoun for extremely simple but extremely clever direction. The staging of "God's Arms are Always Open", for instance, turns a standard gospel-style tune into an exciting account of Clyde's escalating career in crime. The song may not further the plot, but the staging of it does, in a big, and exciting, way.
Oh, and Melissa Van Der Schyff... WHAT a performance. When she first appears, you are expecting a stock comic relief portrayal. That is not what she delivers. Her range, from the hilarious one-liners to her shell-shocked moments at the end, is devastating. And that voice of hers just blew me away. There is nothing like watching a performance that suprises you at every turn. It's easy to imagine a lesser talent taking this role down the wrong road. I think this the kind of performance, and role, that the Featured Actress in a Musical Tony slot was created for.
Updated On: 11/13/11 at 01:48 PM