"Wow, that song makes me feel so warm and gooey inside. Need to see this show."
I had a really emotional reaction to seeing it in the theater last night. It's absolutely stunning.
Understudy Joined: 2/10/12
Sutton Ross (and other interested parties) - SPOILERS ahead:
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Some of this is a bit hazy, so forgive me/fill me in if I've missed something or gotten something incorrect:
-I can't remember where the bath scene was, so this is probably not about the ending, but it's gone.
-Chiara's song is gone, as is Carolyn/Francesca reading her letter.
-Francesca and Bud now have an (or maybe two?) extended conversation about what's wrong with her, why she's acting so bizarrely, etc. when Bud + kids return. Francesca tries to deny it but finally "admits" that she's homesick. They argue and she says she has something to tell him, but they're interrupted by the kids' fight. Bud making them all go get ice cream is the same, as is their seeing Robert in the street.
-My memory is a little hazy here, but after Bud's funeral, I think Francesca gets a letter in the mail? Then there's a new scene where Robert enters stage right on a mini-set with a bunch of boxes. He's aged. He calls an assistant and they talk about how "she" (=Francesca) never did call the assistant asking about him. He then tells her he won't be taking anymore jobs and strongly hints that he's dying. He sings "It All Fades Away" here.
-Francesca goes to the bridge with the letter (from Robert) and reads it aloud. It contains a picture of her and professes his continuing love. The attorney finding her at the bridge is cut. Young Robert comes back and they embrace.
It's the best score of the season, hands down. The only one that I could think that could come close would be Aladdin just because of it's catchiness.
As much as I liked a few songs, I thought Lutvak's was stronger. It served its purpose much better than in this one.
To each his own. I thought the Bridges score was fantastic. I thought Lutvak's Gentleman's score was serviceable but that's about it.
Saw this tonight, and really, really loved it. IMO, Gentleman's Guide cannot stand up next to this at all. This is a far better score and production. I really enjoyed reading back through this thread to realize all the changes that have been made. Show still seems long though, but is truly just beautiful. Kelli O'Hara is stunning and gorgeous in this role. Steven Pasquale really surprised me! (in a good way). Some of the staging, while unique, is a little distracting and too free-flowing for it's own good at times.
While Im not sure if I'll make a return trip, I can't wait for the album. This is really excellent show!
Just got back from Gentleman's Guide and have to say that score, for me, is much more memorable. I left that theater wanting to own those songs. I only felt that way about a select couple from Bridges. Yes, it was a beautiful score, but I agree with people who say they all have a very similar sound and blend into each other.
Broadway Legend Joined: 2/25/05
"...when you don't hear a single thing acoustically, only through amplifiers - I counted 5 string players in the program, but it sounded like more..."
HUH?! One of the very surprising things about the show was very acoustic it was, save for a few moments. For about 90% of the show, the band is barely in the PA, for better or for worse (I would have loved to be able to hear more of the signature JRB piano, or wish I didn't know there were two guitarists only because the Playbill told me so). It was refreshing to hear a contemporary score so un-amplified.
Perhaps you were sitting somewhere better; from orchestra side, all I heard were the amps.
Broadway Legend Joined: 2/25/05
That's odd. I was front row mezz, all the way on the side, no more than 20 feet from the speakers ("amps" are in the basement, most likely). There wasn't a person in that theater who was sitting closer to the PA than me. The band wasn't in the mix.
As Yul used to say, "is a puzzlement."
So, according to USA TODAY, Bridges opened last night. Huh?
Hundreds gather for 'Bridges of Madison County' opening
Broadway Legend Joined: 7/29/08
Long story but yes- the press team and producers told everyone the opening was tonight (so the reviews would come out on Friday) but everyone was invited last night.
Understudy Joined: 2/1/04
Was this faux-opening-night thing planned from the beginning, or decided sometime since previews started?
And has any other show ever done this?
And are they giving any sort of spin or excuse, other than, "We're concerned that the reviews will be bad so we wanted to ensure that we could have a fun party without a pall being cast over it"? Not that they're not allowed to do it for that reason, but it seems like that would be awkward for them to say publicly.
Broadway Legend Joined: 7/29/08
Not sure if it was planned from the beginning.
They sort of did this with Glengarry last year, but not to the same extent. Haven't heard any excuse other than- we wanted to have the party and not worry about reviews.
Understudy Joined: 2/10/12
Barring further information, I find this tactic to be incredibly, annoyingly manipulative.
I'm always fascinated by the opening-night-party-bad-review phenomenon; everyone is having a great time, and suddenly, with nothing seeming to be said aloud, everyone stops having fun (except the hard-core party-ers) and they all quietly duck out in an embarrassed gloom.
I think it's actually a wonderful idea for the sake of everyone involved with the production, allowing them to celebrate their achievement without the weight of reviews hanging over the evening. I'm just curious if reviewers were aware that the "official" opening date (today) given to them was bogus.
Broadway Legend Joined: 7/29/08
Reviewers were not aware the Feb 20th opening date was bogus, which is why it's annoying.
Understudy Joined: 2/10/12
I can absolutely see the positive benefits of having the opening night celebration without looming reviews. But regardless of when you decide to have the party, identifying a performance as being opening night and then specifically scheduling what is closer to an invited dress and publicly calling it opening night as well just seems disingenuous.
Broadway Legend Joined: 2/25/05
What's wrong with having a party the night before reviews come out? The show is frozen. Whether "celebrities" show up on Thursday or Friday, it's inconsequential.
Broadway Star Joined: 2/1/06
I saw the matinee yesterday (now I know why they weren't selling evening rush).
I was underwhelmed by the score and the story. I've never read the book or watched the movie; I only knew it was a romance. I just didn't feel much heat or passion between Francesca and Robert. One minute they're making dumpling soup together and the next they're having an affair. Was their only connection a shared loneliness? Aside from the story, the music was pleasant but I don't remember a single tune or lyric.
My favorite parts were Kelli O'Hara's gorgeous high notes in a few songs and the ending from the ice cream shop scene to the finale.
Now that it seems out and the open about last night’s “opening”, is there a possibility reviewers will post their reviews earlier than normal today (even before the show tonight)?
Understudy Joined: 2/10/12
Ken Davenport's take on this in his blog:
The Producer's Perspective
Broadway Star Joined: 11/9/10
I'm a little confused about the opening! Playbill.com shows on the main page the opening is tonight, but yet it looks like the opening was last night!
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