#1
Posted: 2/2/08 at 7:33pm
And now for something completely unbiased. Still the funniest musical comedy on Broadway, the perfect cure for the seasonal affective disorder from which I suffer.
Saw it twice with the original cast (sans Hank Azaria, who was filming his TV show both times), as well the Harry Groener/Lauren Kennedy cast. Groener's Arthur was a big departure from Tim Curry's. Groener actually played the part, as opposed to Curry who phoned it in both times.
And now, time #4. Jonathan Hadary and Hannah Waddingham. Hadary is quite fine, better than Curry, not as good as Groener. Hadaray has the perfect edge to the part - he's a wistful Arthur who loves (and can't believe) everything that's goign on.
Waddingham is much closer to the Sara Ramirez (who also walked through both performances) mold. She's big voiced, voluptuous, and quite, quite sexy. She also delivers a stupendously sung performance. And how do you know she's already been impacted by American-New York culture? Her scatting during "Knights of the Round Table" includes a riff of "877 393 4448!" from the OptOnline/Cablevision commercial.
Christopher Sieber is at his over-acty, histrionic best. He's an asset to the show and I can't wait for Shrek.
Rick Holmes, Tom Deckman, Brad Oscar, and David Hibbard are also quite fine.
Clay Aiken makes an impressive Broadway debut - nothing to write home over, but he doesn't make a fool of himself, either. They've added a lot for him to sing - a riff of "Lovely Spam, Wonderful Spam" during the "Spam, Spam, Spam" section of "Knights" - I distinctly remember missing that line before, since it's such a Python staple. They've also added a verse in "All for One," which clearly defines Sir Robin as a wannabe Broadway star. Something about "when I get on stage, I'm the idol of my age," ironic and quite amusing. All he has to do is lose the constipated look on his face when he's doing the bottle dance.
Ensemble is strong, and the show itself is in fantastic shape. The tempos are still too slow (another thing I pointed out on the last go-round).
Just a note about audience. I thought I was going to catch Menopause. I've never seen so many middle aged women in one room in my entire life. And I don't know why they find it so impressive that "My Clay does 3 different accents!!!"
Oh, and Tyra Banks was there, too. Fun afternoon.
Saw it twice with the original cast (sans Hank Azaria, who was filming his TV show both times), as well the Harry Groener/Lauren Kennedy cast. Groener's Arthur was a big departure from Tim Curry's. Groener actually played the part, as opposed to Curry who phoned it in both times.
And now, time #4. Jonathan Hadary and Hannah Waddingham. Hadary is quite fine, better than Curry, not as good as Groener. Hadaray has the perfect edge to the part - he's a wistful Arthur who loves (and can't believe) everything that's goign on.
Waddingham is much closer to the Sara Ramirez (who also walked through both performances) mold. She's big voiced, voluptuous, and quite, quite sexy. She also delivers a stupendously sung performance. And how do you know she's already been impacted by American-New York culture? Her scatting during "Knights of the Round Table" includes a riff of "877 393 4448!" from the OptOnline/Cablevision commercial.
Christopher Sieber is at his over-acty, histrionic best. He's an asset to the show and I can't wait for Shrek.
Rick Holmes, Tom Deckman, Brad Oscar, and David Hibbard are also quite fine.
Clay Aiken makes an impressive Broadway debut - nothing to write home over, but he doesn't make a fool of himself, either. They've added a lot for him to sing - a riff of "Lovely Spam, Wonderful Spam" during the "Spam, Spam, Spam" section of "Knights" - I distinctly remember missing that line before, since it's such a Python staple. They've also added a verse in "All for One," which clearly defines Sir Robin as a wannabe Broadway star. Something about "when I get on stage, I'm the idol of my age," ironic and quite amusing. All he has to do is lose the constipated look on his face when he's doing the bottle dance.
Ensemble is strong, and the show itself is in fantastic shape. The tempos are still too slow (another thing I pointed out on the last go-round).
Just a note about audience. I thought I was going to catch Menopause. I've never seen so many middle aged women in one room in my entire life. And I don't know why they find it so impressive that "My Clay does 3 different accents!!!"
Oh, and Tyra Banks was there, too. Fun afternoon.
Updated On: 2/2/08 at 07:33 PM