Broadway Grosses: Week Ending 2/15/26

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

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Up for the week by attendance (% of capacity) was: SIX: THE MUSICAL (18.7%), THE GREAT GATSBY (12.7%), ALL OUT: COMEDY ABOUT AMBITION (10.3%), TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) (9.7%), MJ (7.2%), THE BOOK OF MORMON (5%), ALADDIN (4.6%), THE OUTSIDERS (4.6%), THE LION KING (4.5%), HELL'S KITCHEN (4.5%), & JULIET (4%), DEATH BECOMES HER (3.6%), MOULIN ROUGE! THE MUSICAL (3%), OH, MARY! (2.8%), HADESTOWN (2.2%), HAMILTON (1.9%), CHESS (1.1%), BUENA VISTA SOCIAL CLUB (1.1%), HARRY POTTER AND THE CURSED CHILD (1%), JUST IN TIME (0.9%), CHICAGO (0.9%), WICKED (0.8%), OPERATION MINCEMEAT: A NEW MUSICAL (0.1%),

Down for the week by attendance (% of capacity) was: BUG (-8.1%), MAYBE HAPPY ENDING (-0.6%),

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Solid numbers for everyone!

Wow. Happy for Chicago. That's some Broadway debut $$$$ for Whitney Leavitt. She is killing it at the box office. 

I was surprised talking to some young theatergoers recently just how much of a draw / sensation they find Jack Wolfe. Teenage theater kids are incredibly into him. 

ElephantLoveMedley said: "What's going on in Hadestownland right now? That's a nice bump for them, and it looks like the cheapest seats they have over the next two weeks are well over $300."

If people will just stop paying these terrorist prices, producers will stop charging them. Well over $300. Jesus Christ. PS - on Valentines Day, various shows I looked at were charging nearly $500 per ticket and idiots were paying for them. 

SteveSanders said: "Groffsauce & Co. topping so many shows with twice the weekly capacity never fails to make me smile. Talk about the little engine that could."

And still no word who's doing those three weeks in between Geoff and Jordan?

halfhourcheckwithmerman said: "I was surprised talking to some youngtheatergoers recently just how much of a draw / sensation they find Jack Wolfe. Teenage theater kids are incredibly into him."

Jack is gonna be huge. I wonder if the N2N transfer will find second life with Jack proving to be a box office draw and Caissie very possibly winning a Tony...

Jarethan: I never cease to be amazed when some Reality TV star joins a show like Chicago and the grosses go crazy.  Really amazes me that someone as talented as Kate Baldwin on the other hand hardly sells any tickets, based on the non-holiday grosses during her tenure.  

I know what you mean. I went to see Kate twice in Chicago and am eagerly awaiting her 54 Below show next month. Her 54 Below show last year was one of the best shows I think I have ever seen. 

Matt Rogers said: 

If people will just stop paying these terrorist prices, producers will stop charging them. Well over $300. Jesus Christ. PS - on Valentines Day, various shows I looked at were charging nearly $500 per ticket and idiots were paying for them."

I don't post here much anymore, but I thought I'd weigh in on this as I had an "a ha" moment recently while seeing "Mamma Mia." (I hadn't seen the show since 2001, and a theater loving friend had never seen it, so we went for the novelty.) 

From my rear side orchestra seat, for which I paid an obscene (to me) ~$140, I was looking at all the "idiots" who paid upwards of $250 to sit in the center orchestra. I realized these folks (in their pink boas and rhinestone sunglasses) arent your day-to-day theater goers like us. They may be more inclined to see a concert at MSG where (depending on the artist) the first ring is easily a couple hundred bucks, and floor seats are generally over $1k. Last year I spent about $170 per ticket to be in the last row of the first ring for Kylie Minogue; Gaga is commanding $300+ to sit in the literal rafters. 

For this demographic, shelling out $500 for a great seat to a Broadway show once or twice per year seems reasonable and unsurprising when you're used to spending the same in other places.

re: Just in Time recouping: I was told several months back that it was on track to recoup at the beginning of January. So perhaps they have simply not made any announcement. Not all shows make this type of announcement anymore, and they could perhaps just be waiting to say it on the last day of Groff's run to lump it in with a sort of celebratory send off.

Kad said: "Considering the pushing of the narrative of how hard it is to recoup and how few new shows have, I wouldthink they’d want to yell it from the mountaintops the second it happens."

They’ll probably announce during the roadshow this spring. Didn’t they throw a pretty big presentation last year? Just in Time will sell like gangbusters in Florida; I’m sure the presenters down there are clamoring for it.

Back Row said: "Call_me_jorge said: "Kad said: "Considering the pushing of the narrative of how hard it is to recoup and how few new shows have, I wouldthink they’d want to yell it from the mountaintops the second it happens."

They’ll probably announce during the roadshow this spring. Didn’t they throw a pretty big presentation last year? Just in Time will sell like gangbusters in Florida; I’m sure the presenters down there are clamoring for it."

Not to mention the eventual cruise ship opportunities. The ships are getting bigger, and so are the shows. The advantagefor this show on a cruise ship is there is no need to have a "star". I think this show could run for years with the right choice of venues. If they find the right star, it could have a life in Vegas. Groff did the heavy lifting to make it a profitable investment for the producers. Now it's time for them to explore other opportunities for the show, and there appear to be plenty."

I follow the cruise industry.  Cruise lines are dropping Broadway shows in order to save costs, like NCL, to develop their own shows.