Broadway Grosses: Week Ending 7/21/24

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

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Up for the week by attendance (% of capacity) was: THE WHO'S TOMMY (11.6%), ILLINOISE (5.4%), THE WIZ (5.1%), MJ THE MUSICAL (3%), MOULIN ROUGE! THE MUSICAL (2.7%), HOME (2.3%), CABARET AT THE KIT KAT CLUB (2.2%), HARRY POTTER AND THE CURSED CHILD (2.2%), THE LION KING (1.9%), WICKED (1.8%), HADESTOWN (0.7%), HAMILTON (0.7%), HELL'S KITCHEN (0.3%), THE OUTSIDERS (0.1%),

Down for the week by attendance (% of capacity) was: THE NOTEBOOK (-3.2%), & JULIET (-2.5%), CHICAGO (-1.5%), SUFFS (-1.4%), ALADDIN (-1.2%), WATER FOR ELEPHANTS (-0.7%), THE BOOK OF MORMON (-0.4%), THE GREAT GATSBY (-0.1%),

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And breaking the Lyceum's house record, to boot, which was previously held by A Strange Loop, at $955,591.

Updated On: 7/23/24 at 01:15 PM

Really neat to see 3 plays grossing a million or above (I'm going to round up Stereophonic slightly for purposes of this comment haha), none of which have any star casting. That's cool.

Also, I am genuinely surprised The Notebook is at the lower end of the new musicals this year. Its the one I hear most about from young kids (Im a teacher) on TikTok and such. So many people are familiar with Joy Woods and her song because of social media I guess. I don't know myself, as Im not on TikTok so I dont know exactly what that means, but Im surprised that hasn't translated into more ticket sales.

gibsons2 said: "I know the capacity is still high, but is Cabaret kind of... fizzling out? I thought it would've bea juggernaut :"

Watch them go the Little Shop route, keep stunt casting the two leads, and run for years.

Updated On: 7/23/24 at 01:30 PM

I knew Oh Mary was doing very well, but I genuinely am surprised by it cracking 1mil! That’s incredible

“Watch them go the Little Shop route, keep stunt casting the two leads, and run for years.”



what? that’s not the “little shop” route. That’s literally how the the Mendes revival kept its legs for song long. Yall just say things, my god.

MrJNLong said: "Really neat to see 3 plays grossing a million or above (I'm going to round up Stereophonic slightly for purposes of this comment haha), none of which have any star casting. That's cool."

I love the fact that there were quite a few absolutely phenomenal straight plays on Broadway since the reopening. Not necessarily fiinancially super successful, but still acclaimed and rightfully nominated. Can't say the same thing about musicals, only a couple of revivals and maximum 4 new musicals were truly worth the money I spent on tickets.

Hillary is going on a book tour this fall, so hopefully that’ll get Suffs more publicity

I doubt it now, but maybe after the election as president. Suffs truly was the best musical of the season. I always resent the Tony’s, but giving Best Musical to the doom and gloom outsiders was a travesty

Broadway Flash said: "I doubt it now, but maybe after the election as president. Suffs truly was the best musical of the season. I always resent the Tony’s, but giving Best Musical to the doom and gloom outsiders was a travesty"

Agreed. The structure, writing, emotional punch, and cast all combined into what I would call the best musical of 2023-2024.

What contradiction? I was always pulling for Suffs

Umm everything? The score, the melodies, the gorgeous story, the beautiful performances, the stunning design. The direction, choreo. Outsiders won because gay men loved a single number in that dreary show.

Broadway Flash said: "Umm everything? The score, the melodies, the gorgeous story, the beautiful performances, the stunning design. The direction, choreo. Outsiders won because gay men loved a single number in that dreary show."

Dang, you found us out. Whatever will we do?