Fiddler is Fiddler, one of the most famous, beloved, honored and popular shows in the history of the musical theatre. It swept the Tonys during its original incarnation and ran eight years, and then became a successful movie. The suburban Jewish audience alone -- many of whom feel that it's a moral obligation to take children, nieces, nephews, cousins etc to see it who were too young to see the last revival -- can keep Fiddler afloat for a year or two all by itself.
Brooklyn is a totally brand new show by a totally unknown creative team and a totally unknown (to people who don't frequent theatre chat boards) cast. It has no awards, no history, no movie tie-in, no "ethnic" appeal, and no one affiliated with it that anyone has ever heard of. If, on top of that, the reviews are terrible, give me one reason why that same 35+ suburban crowd would be interested in hiring babysitters, driving all the way into the city, paying for parking and then shelling out $100 a piece to see this show?
"What a story........ everything but the bloodhounds snappin' at her rear end." -- Birdie
[http://margochanning.broadwayworld.com/]
"The Devil Be Hittin' Me" -- Whitney
Updated On: 10/21/04 at 01:45 PM