I didn't see anyone stand up before the last "Rise" in LWL, but the problem was that most people, standing or not, started applauding long before Patti stopped singing, drowning out the last 8 seconds of the song. I expected it, but it was still annoying.
I really hope there was a ProShot since we didn't get a cast recording. Otherwise, I'll have to start digging for a bootleg.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
This was a truly incredible production that obviously touched so many people of in a profound and meaningful way. It was deeply moving to see the breadth of people - all at different ages and different stages in their life - finding something in this show that obviously resonated with them. The sound of sniffles and tears throughout the audience on Sunday night is a testament to that.
I saw the show many times and was still noticing new details on Sunday. From small things like the way that Patti ad-libbed a different name for her second husband each time (Edwin, Timothy, Boomer, Harry - just a few that I remembered) — to bigger things like Theo’s wistful wave goodbye through the large “O” as he put on a gray New Yorker overcoat while PJ sings the “and every day some go away” line.
In short, this revival was astonishingly rich and portrayed the world of Bobbie and her friends in a way that felt real and, well, alive. I miss it already.
inception said: "Luminaire2 said: "Now that show is ending, and as someone who is far away and never got to see it, can someone explain the set / set design and how it functions? I have read it is very complex and impressive?
Would love any and all details!"
I'm guessing you've seen the filmed footage they released earlier of the opening number? With all the cast inside a square.
The set is mainly lit up boxes like that to define rooms or apartments. Sometimes a small square & sometimes a larger rectangle.
When a scene is a character's apartment, it is fully furnished. Harry & Sarah's living room looks very mid century modern with a large all white Jasper Johns' style 35 hung over the sofa.
There is one smaller square that raises & lowers from a trap in the stage. That one seems to be the main piece that gave them troubles. It is used as the apartment balcony in the Susan/Peter vignettes.
The marijuana scene is set on the steps outside a group of Brownstone apartments. All have the street address "35."
The whole "Not Getting Married Today" scene is set inside a sort of aspirational, well appointed yet cluttered, kitchen - all expensive appliances. How did these boys afford it? Are they both stock brokers? Instagram influences? The repeated emphasis that Paul is a Jew seems to suggest it is family money. Of note, at the end of the song the chorus all repeatedly pop out of cupboards etc jack in the box style.
During "Another Hundred People" there are some large letters that spell out COMPANY that get wheeled about into different configurations for the vignettes that break up that song.
During both "Marry Me a Little" & "Being Alive" Bobbie sings alone center stage with the rest of the stage in darkness.
Just as important to the whole set design I think is Bobbie's costume of a red jumpsuit with a lovely frill across the blouse. For most of the show she wears a pair of simple white sneakers - sort of Converse style but without logos.
I probably missed lots."
thanks so much for all this detail!! I appreciate it.
I had only see the opening number, and curtain call footage so I knew of the orchestra.
Does anyone know how they rigged up the orchestra? I assume it’s a relatively narrow, stationary platform that would only block a few rows of fly space at the front of the stage? Is it covered by a black border that rises to reveal them?
One of my favorite moments from Sunday--during one of the freezes in Side by Side, Patti adjusted Greg's party hat so it was like a unicorn horn, but then it slipped and it was resting on her head for the rest of the freeze. They were both holding back laughter and the side orch was living for it!
Patti was always up to something in that number. When I sat in a box seat, I had a great angle and noticed that she was always having a conversation or laughing about something during the freezes.
hollebolle said: "One of my favorite moments from Sunday--during one of the freezes in Side by Side, Patti adjusted Greg's party hat so it was like a unicorn horn, but then it slipped and it was resting on her head for the rest of the freeze. They were both holding back laughter and the side orch was living for it!
Patti was always up to something in that number. When I sat in a box seat, I had a great angle and noticed that she was always having a conversation or laughing about something during the freezes.
Does anyone know how they rigged up the orchestra? I assume it’s a relatively narrow, stationary platform that would only block a few rows of fly space at the front of the stage? Is it covered by a black border that rises to reveal them?"
Not sure of exactly how much space it took up but it didn’t look very deep - there were several rows of musicians on each side with each row only being 2-3 players deep. There was a black curtain in front that rose during the opening on the final “phone rings, door chimes…”
ontherighttrack said: "From small things like the way that Patti ad-libbed a different name for her second husband each time (Edwin, Timothy, Boomer, Harry - just a few that I remembered)"
OhHiii said: "ontherighttrack said: "From small things like the way that Patti ad-libbed a different name for her second husband each time (Edwin, Timothy, Boomer, Harry - just a few that I remembered)"
My personal fave of the second husbands was Zeus."
yep so much fun. It was Caleb that made it to the NYPL Archive LOL
OhHiii said: "ontherighttrack said: "From small things like the way that Patti ad-libbed a different name for her second husband each time (Edwin, Timothy, Boomer, Harry - just a few that I remembered)"
My personal fave of the second husbands was Zeus."
I especially enjoyed the way Terence would repeat it back to her knowingly, as in: "Ahhhh yes, - Zeus". If it was a weird name, I always felt like he would pause a second and give her a bit of side-eye as he did this.