I loved this show, is the CD worth purchasing? Thanks.
Well if you loved the show, then.....
I was actually really disappointed when the Carrie cast album turned out to contain none of the music from the show, so I would recommend against it.
Except that it did. Did you buy the wrong thing?
No, it's the right thing. It's just Marin Mazzie complaining about the temperature in the room and then 72 minutes of a vamp from Into the Woods. Really disappointing for fans of the show.
Oh, so you were trying to be funny? Many of the songs are very close to the original songs from the musical (CARRIE, EVE WAS WEAK, EVENING PRAYERS, UNSUSPECTING HEARTS, I REMEMBER HOW THOSE BOYS COULD DANCE, WHEN THERE'S NO ONE)..so I think it's confusing/misleading to say that "The Carrie cast album turned out to contain none of the music from the show".
I don't think that made anyone laugh. Fail!
It's just Marin Mazzie complaining about the temperature in the room and then 72 minutes of a vamp from Into the Woods.
I NEED THIS RIGHT NOW
Updated On: 12/15/12 at 07:14 PM
And on the second disc you just hear her eating a buritto bowl from Chipotle for 20 minutes. And it ain't pretty.
Seriously, I listened to it a lot when I first got it, and now the only song I listen to with any regularity is When There's No One. The score doesn't really hold up to frequent listening.
Speak for yourself :P. There are a few tracks I frequently listen to. Not the biggest fan of the second act, though.
I've enjoyed it, too. The only number I find uninteresting musically or dramatically is "Why Not Me," which is too ruminative and subdued to pinpoint the sense of the expectation of a teenager; it also meanders on without its hook catching. Even if "I'm Not Alone" was tonally wrong, it had more youthful hope. The rest of the score holds up well enough, or features songs that contribute to the story ("The World According to Chris" does its job nicely, and is catchy). If you ever liked any aspect of the score, this album is a must. What struck me is how much of the story has been musicalized. Many colleges and others will try to produce this, thinking the story a slam dunk, but I think it's deceptively complex.
The entire off Broadway production is posted on YouTube in like 5 or 6 parts. Just FYI.
Whoever posted it there should rot in hell.
I'm one of the few Broadway aficionados who hadn't heard the score until this album came out (I like bootlegs only if I'm already familiar with a score). I now totally get why people are fascinated by this show. I don't think a lot of the songs necessarily hold up (I find "The World According to Chris" extremely jarring after "Eve Was Weak" and "Unsuspecting Hearts" makes me roll my eyes, but I get why people like them), but oh my God, some of the songs are as good as something from a Sondheim musical. Both "Eve Was Weak" and "I Remember How Those Boys Could Dance" (the Margaret section, the "Mama, don't you think it's time..." section and the end should have been separated into a different track just to have the song as a solo for Mazzie) are absolutely thrilling musical theatre. Mazzie is spectacular as Margaret on the recording, I eventually listened to the original bootleg and love Buckley in those numbers as well, both of them great in their own way. I definitely recommend getting the album, it's pretty fascinating stuff.
Broadway Legend Joined: 7/22/03
"... I'd rather be shot, because life just doesn't begin, doesn't begin, doesn't begin, doesn't begin, doesn't beginnnnnn, until you're in."
Sondheim does leap right to mind.
I think Sondheim is a stretch, especially since the lyrics range from the effective to the abysmal - "I prayed this day would never come I might have know. Now I'm alone."
The harmonies in In are killer, though.
Oh, definitely the lyrics are not Sondheim-level, I guess I was referring more to the ability to musicalize an entire scene and establish a dramatic relationship between the characters, something I think Sondheim is an expert at. Total overkill to compare it to Sondheim, I was trying to say that those songs are incredibly effective dramatically speaking, and they're sort of unconventional in their style (they're not just arias, like say "When There's No One" or some of the more traditional numbers).
I know what you mean though, ray.
I first 'got into" musicals because I saw Sweeney Todd and thought wow, I can't believe how the composer (who obviously I later learned was Sondheim) used music to so effectively tell a story for so many of the songs (e.g. MY FRIENDS, EPIPHANY) - it really made me understand why the music was necessary and without it I knew something would be missing.
And I really think that some songs in CARRIE (specifically EVE WAS WEAK and perhaps THOSE BOYS) are that good in terms of musicalising a scene, drama etc..
This clip is just terrifying:
http://www.youtube.com/watch?v=6LnP3qg_Djk&t=1m8s
I bought it and I like it a lot!
Broadway Legend Joined: 12/31/69
I thought the musical was great fun. Shakespeare it was not, but I was never bored watching it. And while I like the original bootlegs better, the new Carrie CD is a welcome addition to my collection.
I would listen to this sophomoric score again, but only if I were paid no less than $10,000. And that would be ONE listen only.
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