Entertainment Weekly's latest issue has "The 100 All-Time Greatest"...movies, TV shows, music books -- and the 50 best plays -- over the past 100 years, as determined by their critics. (I don't know why it's only 50 for the plays). They didn't put this online, so I did (just the list, not their descriptions of the shows) The top five, in order: 1. Death of A Salesman 2. A Streetcar Named Desire 3. Who’s Afraid of Virginia Woolf? 4. Long Day’s Journey Into Night 5. Fences Top 5 musicals 1. Guys and Dolls 2. Gypsy 3. Sweeney Todd: The Demon Barber of Fleet Street 4. Oklahoma! 5. West Side Story The rest of the list below The 50 Best Plays Of The Past 100 Years, According to Entertainment Weekly
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
GUYS AND DOLLS and BOOK OF MORMON, but no MY FAIR LADY, HELLO, DOLLY! or FIDDLER?
Methinks that list was not compiled by a musical theater lover. (Maybe that's why they only included 10.)
As for the plays, I've taught most of them and, while I'd rearrange the order, I think they did a pretty good job in terms of American and Western European plays. Contrary to popular conception, however, there were also great plays written in Australia, Nigeria, Japan and elsewhere.
Back around 2000 a critics poll was taken to choose the best musicals of the 20th Century and GUYS AND DOLLS topped that list as well. (Time Magazine did its own poll and CAROUSEL won the top position there.)
GUYS AND DOLLS still plays very well. The script it tight and balances good comedy scenes with an enjoyable romantic plot. The score is Frank Loesser at his very best. Maybe not every song became a standard but go through the cast album... every song is a gem.
I agree BOOK OF MORMON doesn't belong on the list, and neither does RENT. But at least EW resisted the temptation to put WICKED in the top 10.
Cast albums are NOT "soundtracks." Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com
That plays list reads like a syllabus for a (great) higher education course in Drama Literature. Really good mix of "important" plays with beautiful poetries, emotional devastations and uproarious comedies (really glad NOISES OFF and WHAT THE BUTLER SAW made the list... it's easy to forget how hard transcendant farce is to write, and those two are masterpieces every bit as deserving as a spot on that list as anything by O'Neill, Williams, or Miller.)
Also glad there's modern work represented there. Specifically DOUBT and INISHMORE, which I've studied in a classroom setting and are truly precision-engineering texts, like clockwork, they are so finely constructed there isn't an ounce of useless material.
If I complain about anything, it's missing ROSENCRANTZ AND GUILDENSTERN ARE DEAD, but THE REAL THING is a fine Stoppard. I just don't hold it as dear to me as I do R&G, which would probably be in my personal Top 5.
Words don't deserve that kind of malarkey. They're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they're no good anymore…I don't think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.
Guys and Dolls is my favorite show. When done well, it can be hilarious, emotional, and so lively. Find yourselves a copy of the 90s version with Nathan Lane and Faith Prince. Perfection.