I'm afraid my comment which was written late at night and intended in a light-hearted manner, didn't read that way. I wasn't attacking you, just trying to establish that your comments(along with you screen name) lead readers to think they know where your head is at in terms of appreciations of musicals.
I know you love WICKED - we discussed this after your series of "polls" a few years ago.
I am not at all surprised that those who are obsessed with WICKED tend to find other shows - particularly older musicals - wanting. You're right. It is just an opinion and I always say opinions are never wrong. But they can be misinformed.
I don't believe that the subject matter/themes of FINIAN'S are at all dated. What is dated are the techniques use to present this particular story. They are very much of a 1930-s styled musical I don't say 40's because no matter what tweaks are done, this show is not a cohesive piece like CAROUSEL or SOUTH PACIFIC. (As I recall you didn't like SOUTH PACIFIC either, right?)
Even if the writing shows the age of the show, if it is staged with the right light-hearted touch -as apparently it is here - it makes it easier for audiences and critics to overlook that "creakiness." (The 1971 NO NO NANETTE is another example, although in that case the 1920's script - while played straight - came across as camp.)
Cast albums are NOT "soundtracks."
Live theatre does not use a "soundtrack." If it did, it wouldn't be live theatre!
I host a weekly one-hour radio program featuring cast album selections as well as songs by cabaret, jazz and theatre artists. The program, FRONT ROW CENTRE is heard Sundays 9 to 10 am and also Saturdays from 8 to 9 am (eastern times) on www.proudfm.com