I'll second Big. It's nice to see the kids like Spencer Liff and Joseph Medeiros going on to have successful careers in theater. (Even if I do still picture them as kids.)
Leap of Faith
Sadly, I think Groundhog Day is going to be the newest addition. Without pulling some major upsets at the Tonys, I fear it's going to be swallowed up by this crazy season. I've looked at a few future dates and there are Friday & Saturday nights this summer and fall where it seems they've only sold about 100 tickets so far. I hope I'm wrong though.
The Scottsboro Boys. Will never get over my disappointment of seeing it only once. Stunning. Meaningful. Important.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
They're all musicals because I don't feel like looking up which plays (which are mostly limited runs) recouped, and which didn't. So, in no particular order:
--The Scottsboro Boys
--Tuck Everlasting
--The Last Ship
--American Psycho
--The Story of My Life (though I've only seen it regionally in a tiny house, which I suspect worked much better than Bway)
--Soul Doctor (sorry)
--Amelie (though I only saw it in Berkeley. Having recently listened to the cast album for the first time, I think they might have made it worse between Berkeley and Broadway - but that'sa discussion for another thread)
--Bridges of Madison County
--Finding Neverland (though it may well recoup on tour)
For me, it's Title of Show. I feel fortunate to have seen it, and there will never be another production that captures the unique qualities of that show. The night I went, the audience was so enthusiastic you would have thought it was the biggest hit on Broadway.