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#51

Favorite Flops

The Bridges of Madison County.

Loved it. And without the tips I got here, I wouldn't have the small collection of Bridges window cards that I have now. IMHO the National Tour version of the window card is much better than the Broadway version. It's gorgeous.

Updated On: 5/30/17 at 06:22 PM

#52

Favorite Flops

Tattoo and DOTV


<-----I'M TOTES ROLLING MY EYES
#53

Favorite Flops

Leap of Faith. There was so much talent in that cast and the music was good (great in L.A., sadly) but the production was a disaster. Some day someone will do a revival in a production that lets the story shine through.

#54

Favorite Flops

I sort of liked URBAN COWBOY...sort of.

#55

Favorite Flops

Definitely Bonnie & Clyde as well as Parade.

#56

Favorite Flops

DOTV?

Was writing out all the letters just too much trouble?

#57

Favorite Flops

devonian.t said: "I realize that it's not from the last 18 months so probably won't count with most posting here, but I love both Amour and especially Triumph of Love."

TRIUMPH OF LOVE is hands down my favorite flop.






"

#58

Favorite Flops

"DOTV?

Was writing out all the letters just too much trouble?"

No, it's not too much trouble. Dance of the Vampires.

Forgive me for using the letters for the first time in my life, after reading only letters on this site for thirteen years. I decided to give it a try.


<-----I'M TOTES ROLLING MY EYES

Updated On: 5/30/17 at 10:08 PM

#59

Favorite Flops

Legally Blonde

#60

Favorite Flops

"DOTV?

Was writing out all the letters just too much trouble?"

No, it's not too much trouble. Dance of the Vampires.

Forgive me for using the letters for the first time in my life, after reading only letters on this site for thirteen years. I decided to give it a try.


My sincere apologies to Jane for my unnecessary snark. I myself constantly feel so out of the loop when bombarded with discussions of DEH, CFA, TGC, HD, GD, OYF, SOR, POTO, ITW and on and on, as if everyone in my circle actually uses any of these on a regular basis. Most I can figure out with effort; DOTV left me flummoxed. Maybe it's a generational thing-- I'm happy to be the crabby oldster telling you young whippersnappers to get off my porch and use full names of things for a change.

#61

Favorite Flops

American Psycho was one of the best experiences I've ever had at the theatre. The only show I've ever seen twice within a week. "Hip To Be Square" was absolutely thrilling and "Not An Exit" is one of my favorite finales in modern musicals. I haven't seen a cast working that hard onstage in a while.

#62

Favorite Flops

Catch Me If You Can (Aaron Tveit and Norbert Leo Butz were perfection, and I love the score)

Honeymoon in Vegas (One of the funniest shows I have ever seen)

Ghost (Caissie Levy was awesome)

Bridges of Madison County (Beautiful score and orchestrations, what a shame they didn't get to play more performances)

Bonnie & Clyde (I absolutely adore the music, and Laura Osnes and Jeremy Jordan were phenomenal in their roles)

Tuck Everlasting (someone mentioned the ballet at the end, and I cannot agree more - it was a treat to see live)

And Kate Monster3, I liked In Transit too. I thought it was cute and fun, and the cast was very talented.

#63

Favorite Flops

florida theatre kid said: "American Psycho was one of the best experiences I've ever had at the theatre. The only show I've ever seen twice within a week. "Hip To Be Square" was absolutely thrilling and "Not An Exit" is one of my favorite finales in modern musicals. I haven't seen a cast working that hard onstage in a while."

I really wish they'd done a Broadway cast recording.


==> this board is a nest of vipers <==

"Michael Riedel...The Perez Hilton of the New York Theatre scene"
- Craig Hepworth, What's On Stage
#64

Favorite Flops

CANDIDE

PARADE

FALSETTOS

CHAPLIN

IF/THEN


"I shall stay until the wind changes."
#66

Favorite Flops

Someone in a Tree2 said: ""DOTV?

Was writing out all the letters just too much trouble?"

No, it's not too much trouble. Dance of the Vampires.

Forgive me for using the letters for the first time in my life, after reading only letters on this site for thirteen years. I decided to give it a try.


My sincere apologies to Jane for my unnecessary snark. I myself constantly feel so out of the loop when bombarded with discussions of DEH, CFA, TGC, HD, GD, OYF, SOR, POTO, ITW and on and on, as if everyone in my circle actually uses any of these on a regular basis. Most I can figure out with effort; DOTV left me flummoxed. Maybe it's a generational thing-- I'm happy to be the crabby oldster telling you young whippersnappers to get off my porch and use full names of things for a change.





"

And while we're on the subject, a lot of us who live far from Broadway use this board to stay in touch with art forms we love. That said, I don't expect New Yorkers to explain every post so that we Left Coasters understand every word.

But would it be too much trouble to use full names. Yeah, I've figured out that "Jenn" is Collela from COME FROM AWAY right now, and we all know who Bette is. A lot of posts are incomprehensible, however, because so many references are identified by first name only. I suspect such posts are incomprehensible to a lot of New Yorkers, too.

We get it. You want to sound like an insider, but in most such cases the poster doesn't know the first-name-only individual personally and the "Get off my lawn" part of me finds it rude to refer to strangers by their first name, anyway. Obvious exceptions: Cher and Madonna.

#67

Favorite Flops

I assume we are using "did not recoup" as our definition of "flop":

CANDIDE and STREET SCENE (I'm listing these two together because though they didn't recoup on Broadway, both have been very successful in opera houses.)

CARMELINA

THE ROAR OF THE GREASEPAINT, THE SMELL OF THE CROWD (may have recouped, but only ran six months, a disappointment after STOP THE WORLD)

FOLLIES (original)

PASSION (original)

THE BRIDGES OF MADISON COUNTY

THE BAKER'S WIFE

ON A CLEAR DAY YOU CAN SEE FOREVER

MACK AND MABEL

KING OF HEARTS

RAGTIME

SHE LOVES ME

SUGAR

(I've included shows I saw on tour or in LA, but not shows I only know from audio recordings.)

#69

Favorite Flops

Someone in a tree, no problem! I used to be annoyed with all those initials, as I am not such an "insider" as far as titles go. I wasn't trying to be an insider with DOTV, I just figured that one was so over used back then, that it would be obvious. I won't be using initials again, that's for sure! thanks for apologizing.


<-----I'M TOTES ROLLING MY EYES
#70

Favorite Flops

Does Shuffle Along count as a flop? Because I loved it.

#71

Favorite Flops

AMELIE

AMERICAN PSYCHO

THE BRIDGES OF MADISON COUNTY

HONEYMOON IN VEGAS

IF/THEN

IT SHOULDA BEEN YOU

ROCKY



#72

Favorite Flops

Jane Eyre
Parade
Women on the Verge
Scarlet Pimpernel
Catch Me If You Can
Legally Blonde
Passion
Xanadu
Aspects of Love


"What can you expect from a bunch of seitan worshippers?" - Reginald Tresilian
#73

Favorite Flops

GavestonPS said



SUGAR





"



Yes! Sugar - still play the OBC recording frequently.

Updated On: 6/1/17 at 11:27 AM

#74

Favorite Flops

ColorTheHours048 said: "Hands down, [title of show]. I made sure to see it multiple times in the 2 months between discovering it and its Broadway closing. Closing night is still one of the highlights of my theatregoing life. The energy and love in the Lyceum that evening was breathtaking."

I was there that night as well, and couldn't agree more. Absolutely thrilling night of theatre, and a brilliant show. I was so sad to see it close, though happy that the Little Engine That Could made it to Broadway at all.

I will also throw in votes for Bright Star, Tuck Everlasting, Shuffle Along, and the Deaf West Spring Awakening - shame they never found their audiences.

And a guilty pleasure vote for All Shook Up. It shouldn't exactly win the Pulitzer, but I will listen to that vocal arranging all day long.

#75

Favorite Flops

Gaveston, your list of flops you've loved most fills me with warm waves of envy, for shows I never got to see, especially for gems like KING OF HEARTS which may have been a minor work but had perhaps the most brilliant set design from Santo Loquasto ever put on a Broadway stage.

One rarity on your list I did manage to catch was the Boston iteration of THE BAKER'S WIFE. Sadly, not even Patti LuPone's rendering of Meadowlark could make that turkey of a show get airborne for me.

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