#1
Posted: 2/17/11 at 9:15pm
I LOVE Sutton's take here. I think Roundabout really got this casting right.
The Link
The Link
First Look at ANYTHING GOES in Rehearsal!
#2
Posted: 2/17/11 at 9:18pm
Eh. It seems too contemporary for my taste.
Updated On: 2/18/11 at 09:18 PM
#3
Posted: 2/17/11 at 9:25pm
looks great. sutton might be a front runner for a tony
#4
Posted: 2/17/11 at 9:38pm
Is appearing bored during this number a character choice she's made?
#5
Posted: 2/17/11 at 9:47pm
I think she(Reno)'s supposed to look impressed/ in awe?
#6
Posted: 2/17/11 at 9:50pm
It looks like a lack of direction. The fact that she is just standing there doing nothing for long amount for time is very awkward and static. Hopefully it looks less boring by the time it starts. The dancing is fantastic though.
#7
Posted: 2/17/11 at 9:53pm
I really like the choreography and the new orchestrations. Everyone seemed like they were marking though. Hopefully they were?
#8
Posted: 2/17/11 at 10:04pm
Loved it and don't care what anyone else says. 6 minute tap break? Hell yes.
"These rabid fans...possess the acting talent to portray the hooker...Linda Eder..." -The New York Times
#9
Posted: 2/17/11 at 10:20pm
Well, there's a couple of appealing looking sailors.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#10
Posted: 2/17/11 at 10:21pm
Dreadful.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
#11
Posted: 2/17/11 at 10:21pm
I was bored until the tapping started. I really hope Sutton is going to do something other than stand still in the beginning part. When it got going, it really picked up, though. Looks like something I'd definitely want to see.
But, bjh, I'm curious about what you mean by "too contemporary".
But, bjh, I'm curious about what you mean by "too contemporary".
"Art, in itself, is an attempt to bring order out of chaos."-Stephen Sondheim
#12
Posted: 2/17/11 at 10:29pm
The choreography and dancing was great. I'm a Sutton fan and all, but really? She didn't blow me away. Theres another one with more song clips on playbill that I'm about to watch.
#13
Posted: 2/17/11 at 10:59pm
It's. A. REHEARSAL.
"The Spectacle has, indeed, an emotional attraction of its own, but, of all the parts, it is the least artistic, and connected least with the art of poetry. For the power of Tragedy, we may be sure, is felt even apart from representation and actors. Besides, the production of spectacular effects depends more on the art of the stage machinist than on that of the poet."
--Aristotle
--Aristotle
#14
Posted: 2/17/11 at 11:01pm
loved the choreography, but a 6 minute dance break?? Really??
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
#15
Posted: 2/17/11 at 11:03pm
"It's. A. REHEARSAL."
like.
like.
#16
Posted: 2/17/11 at 11:36pm
Yes, it is a rehearsal. But a rehearsal being used for publicity.
"...everyone finally shut up, and the audience could enjoy the beginning of the Anatevka Pogram in peace."
#17
Posted: 2/17/11 at 11:54pm
A six minute tap dance from a choreographer who's tap vocabulary is very limited. College stuff.
#19
Posted: 2/18/11 at 12:38am
Oh come on you guys! Sutton is amazing and the dancing was fantastic! i can't wait to see this show, i think it looks so promising. i think Sutton is a total shoe in for a tony nod this year!
i also love the way they changed the end. Its much less abrasive then the Eileen Rodgers version.
i also love the way they changed the end. Its much less abrasive then the Eileen Rodgers version.
[believe]
#21
Posted: 2/18/11 at 12:54am
I may have to make a visit just to see some of those chorus boys in sailor suits!
#22
Posted: 2/18/11 at 1:02am
And, having only previously heard Patti's version, I can finally understand the lyrics!
"Art, in itself, is an attempt to bring order out of chaos."-Stephen Sondheim
#23
Posted: 2/18/11 at 1:09am
A little underwhelming, but I'm hoping it will be dynamite come opening night. Sutton seems to be marking a bit. I am sure she'll be phenomenal- a very DIFFERENT Rena from what we've seen in productions past.
#24
Posted: 2/18/11 at 1:13am
There's only so much tap dancing a person can take
#25
Posted: 2/18/11 at 6:43am
Sutton looked like she was pacing herself, and no doubt she'll have to, doing a 6-minute tap break every performance.
The tap felt way too long. Six minutes is too long for a dance break unless you're telling a story in the dance. This was basically "Reno flirts with the sailors" and that's not much of a narrative to fill six minutes. So you get lots of formations and pairings and repeated steps where everyone's dancing their butts off. I thought the choreography was fine if it could be cut in half. Either that or start playing to Sutton's acting strengths and develop a "story" in the dance.
At the end I felt like I was appreciative of their endurance, but not much else.
Reminders:
The song is called "Anything Goes," not "Everything Goes."
The award is for Best Choreography, not Most Choreography.
And I, too, wish that Sutton had set up the dance break better by a more solid performance of the song. She did seem to be marking it, or disengaged, or unsure of committing to her character's opinion of those words. Not a good thing for Reno or Sutton.
I much prefer LuPone's take on the song and the brilliant choreography that went with it.
Maybe this number as staged and performed will work better in context. And maybe people are being charged by the tap now and will be happy seeing the "most choreographed" show on Broadway.
The tap felt way too long. Six minutes is too long for a dance break unless you're telling a story in the dance. This was basically "Reno flirts with the sailors" and that's not much of a narrative to fill six minutes. So you get lots of formations and pairings and repeated steps where everyone's dancing their butts off. I thought the choreography was fine if it could be cut in half. Either that or start playing to Sutton's acting strengths and develop a "story" in the dance.
At the end I felt like I was appreciative of their endurance, but not much else.
Reminders:
The song is called "Anything Goes," not "Everything Goes."
The award is for Best Choreography, not Most Choreography.
And I, too, wish that Sutton had set up the dance break better by a more solid performance of the song. She did seem to be marking it, or disengaged, or unsure of committing to her character's opinion of those words. Not a good thing for Reno or Sutton.
I much prefer LuPone's take on the song and the brilliant choreography that went with it.
Maybe this number as staged and performed will work better in context. And maybe people are being charged by the tap now and will be happy seeing the "most choreographed" show on Broadway.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
blocked: logan2, Diamonds3, Hamilton22
Updated On: 2/18/11 at 06:43 AM
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