I'm glad Margo reminded us of FOLLIES. Funny, I saw the original twice, and the Papermill, and the (dreary) Roundabout revival. I never can REMEMBER the damned ending -- it just trails off. I have a mental image of Alexis Smith, in the grand first staging, having to drop all of the Phyllis edge and look at John McMartin as though she's never had a bad day with this hollow man. It didn't ring true to my 19 year old eyes, and it seems especially false now.
Yes, Mrs. Goldman didn't allow Papermill to move across the river. I much preferred that version, and listen to that recording. Margo is correct -- the show needed a musical period on the evening, or some indication of catharsis.
The worst bad ending -- of an admittedly mediocre show -- is APPLAUSE. Margo (not the beloved poster) says something like "I've gotta go home and make lasagne!" And then must warble one of Charles Strouse's worst ditties, "Something Greater." Anyone doubting me, listen to the recording, the end not helped by Bacall's attempts to turn vowels into notes.
Interesting, the end of WOMAN OF THE YEAR is empty, too. The eleven o'clock spot is 'Grass is Always Greener,'but then Tess is left with a wet head and some awful number, rewritten for the road, but no improvement. "We're gonna Work it out!" was the title. Ugh.
"I'm a comedian, but in my spare time, things bother me." Garry Shandling