I think the orchestrations start out small and then achieve a fuller sound as the album progresses, which I have to assume was intentional. Obviously it's difficult to completely erase the memory of Carol Burnett when listening to this score, but I think Sutton is in a class of her own compared to SJP on the last revival cast album. The only reason I return to that album is to listen to Jane Krakowski's tracks. She seemed to be the only cast member who understood the assignment and delivered the material accordingly, where as this album is full of performers, largely Foster, Breaker, Gasteyer and Urie, who understand the show they're in and are delivering on every front. The album is a joy from start to finish.