I have not seen a more perfect revival of an American classic since 2008's South Pacific.
I was there last night and this could have easily been a lackluster production that exists solely for the purpose of the star, but you can see the painstaking detail and honing of the craft being displayed on that stage. I will proudly admit that I cried multiple times at the sheer display of showmanship, including "Put on Your Sunday Clothes" and the title song, with Dolly's descent down the stairs being the ultimate diva entrance I have ever seen.
Donna Murphy was truly revelatory, and she worked hard to win the audience over. She nailed the humor, was sentimental in all the right places, and SANG THE HELL out of that score. If I'm being honest, the new cast recording with Bette left me a bit bored, as everything managed to come fully alive in the theatre more than it did on the recording. Also, as many have noted, her performance has more than a few hints of Andrea Martin in it (which made me love her more). Some mentioned David Hyde Pierce seeming miscast or bored, but I thought he was perfectly fine, since I saw Horace as a man who refuses to engage in the whimsy and nonsense around him, and insists on being the "straight" man in all of the melee. Gavin Creel blew me out of the water, especially with Taylor Trensch during "Motherhood", and Kate Baldwin is simply gorgeous and has a beautiful voice and her interplay with Beanie Feldstein (as Minnie Fay - a gem in her own right) was a highlight.
Go see Donna. There is ZERO chance you will be disappointed and you will leave feeling like you are glowing and walking on air.
Check out my eBay page for sales on Playbills!!
www.ebay.com/usr/missvirginiahamm