"If I could leave 'Sunset' tomorrow, I would" - Glenn Close (April, 1995)

In the other thread, I mentioned some of the original newspaper clippings I still have from when "Sunset Boulevard" played Broadway in 1994 -97. One of them is the DAILY NEWS cover story from Tuesday, April 4, 1995 titled "Bullets Over B'way : Actress Glenn Close throws a fit after producer questions her popularity".

What sparked the fury was when Close read a letter ALW penned to the cast and crew apologizing for reporting an inflated weekly box office to disguise the drop in sales while Close was on vacation in March, and praising the performance of her understudy Karen Mason. He called his decision to inflate grosses 'idiotic', but praised Mason for 'playing 16 performances with total standing ovations on all occasions'. (He pumped up the box office receipts by more than $150,000 per week during Close's two week vacation.) According to sources from the production, Close was 'visibly upset' and stormed off the stage the previous Thursday after her evening performance, and headed to her dressing room to pen the letter.

She wrote, "I don't think it's an exaggeration to say that my performance turned 'Sunset Blvd.' around. I made it a hit. It has existed on my shoulders...and yet a representative of your company went out of their way and lied to try to make the public believe that my contribution to this show is nothing, that Karen's performance is equal to mine and that my absence had absolutely no effect whatsoever on all the thousands of dollars that supposedly kept pouring into the box office. It sickens me to be treated with such disregard."

She continued, "If I could leave 'Sunset' tomorrow, I would. If I could leave in May, when my contract says I can, believe me I would. At this point, what is making me stay is my sense of obligation to all the people who are holding tickets until July 2."

At the end, she concluded, "We have been cruelly thrown into yet another traumatic controversy which will - once again - take a huge emotional toll on us all."

ALW was said to be distraught and shellshocked by the letter, which was publicized on Monday, April 3 in Variety. Close and ALW issued a joint statement the night before the Daily News published their story, saying they "expressed mutual dismay that a very private communication between them found its way into public hands" and assured their fans they "remained the best of friends". Close referred to the blow-up as being a normal part of 'any close family where there are different opinions, and mutual hurt feelings from time to time'.

Close, of course, stayed with the show until July 2, 1995.

Updated On: 9/11/19 at 09:28 PM

ArtMan said: "Reading that, she really dissed her understudy. She should have kept her out of it and focused only on ALW."

I don't know if she could focus on ALW without mentioning Mason, as his praise for Mason is what really stoked the fire in her. I think she wanted to make it clear she - no one else - is Norma Desmond.

Nobody came out looking good.

Close was pushing 50, and like many "aging" actresses she had the right to be worried about where her career might be going, especially after giving up a year+ of film work for Sunset.

ALW's move was an attempt to show the world that Sunset wasn't "just" The Glenn Close Show.

There were so many bad producing things at Sunset by ALW and Edgar Dobie (who was running the American arm of Really Useful Group at the time), it's amazing that the show ended up being as good as it was.

David10086 said: "I agree 100% with you on this. With Close leaving in three months , this was his opportunity to tell the world his musical could stand on it's own, whether Close was in it or not. What better time than taking advantage of the fact that Close was on a two week vacation ? He had to keep selling tickets - which didn't happen as rapidly with Buckley or Paige in the show."

Right, and as anyone who's ever produced a star-driven musical knows, sales usually tank after that original star leaves. Of course, there are other ways to do that (90% of the world does not give a damn about Broadway grosses), and entertainment attorneys will tell you that if you have a star in your show, you need to be able to recoup before that star's exit date.

BrodyFosse123 said: "ArtMan said: "Reading that, she really dissed her understudy. She should have kept her out of it and focused only on ALW."

Karen Mason was her standby, not her understudy. She only performed when called upon. She wasn’t in the cast in any other role."

I didn't know that. But I still say including her in her comments was wrong. She was there to do a job. Now whether or not "Karen's performance was equal to mine" is really the opinion of the audience members who saw the show the nights she performed.

I completely understand and support her position. It's unclear to me if that was a private letter that was published or one she wrote to a publication. If it is a private letter, then all of what she says is completely justified in confidence, even the dig at Mason. In a private conversation, she has every right to say another performer is not as valuable as her. As an actress in Hollywood, she needs to market herself. If she is seen as the main factor a show is selling, that is very important to have on record. And she was the only thing packing the house at the time. The show quickly folded after she left.

GiantsInTheSky2 said: "Bettyboy72 said: "The show quickly folded after she left."

Not true- Glenn’s last performance wasearly July 1995 and the show closed late March 1997. It ran almost two years after sheleft."

Agree, but it is also true that business was never the same. I have always thought that SB was ALW's best score; nevertheless, it was Close that sold every seat.

Bettyboy72 said: "I completely understand and support her position. It's unclear to me if that was a private letter that was published or one she wrote to a publication. If it is a private letter, then all of what she says is completely justified in confidence, even the dig at Mason. "

It was indeed a private letter. She wrote it the evening of March 30, 1995 when she found out what ALW did - sending false box office receipts to VARIETY, and praising Mason's performance. She was upset when VARIETY got a hold of that private letter and went public with it (so did the NY Daily News).

Remember - this was a few years before the internet happened. Can you imagine if that took place today? Every single site would be exploiting this.

Exactly- if it had been true that the show was selling as well without Close, he might have had a defence. But it was a lie. Not his first, either.

I went to the Saturday Matinee the week Glenn came back from vacation...and she was out sick...I saw Karen Mason...who in my opinion was the 2nd best Norma behind Betty Buckley. Not knowing Karen was key to the performance...I could watch the show and not think of her as anyone but Norma....she also had an incredible voice..I will always say Betty gave the best all around performance...but Karen was incredible. Glenn in the original was bat**** crazy from the first entrance...no arc just nuts and overacting. Her singing was always average. Having seen Betty in London prior I had seen how the transition into madness made much more sense. I saw Glenn again in the revival and she was magnificent...she wasn't nuts from the beginning and as I told Betty , she must have watched Betty and learned that the slow decent made much more dramatic sense... I love this show . I also think that the show closed because you first had ..the movie star ..this sold tickets....then the broadway star ..this sold tickets...then you brought over a great british star...no one outside of theater even knew who she was...this didn't sell tickets...I believe they should have brought in another top Star and did the Chicago thing of rotating and it would have ran for years

Karen Mason did not lead the us tour

it was LInda Balgard . The show really did need name recognition on tour as it was so expensive initially..(using basically the same sets as broadway) the scaled down version with Petula Clark travelled much better and cheaper.. Linda on the recoding I have is not really pleasant to listen to..

David10086 said: "If I remember correctly, Mason led the first national tour of 'Sunset' which closed early. Was that because she wasn't getting good reviews, and not selling tickets?"

The original tour was massively expensive to run due to the cost/time of both the load in and load out. I remember reading at some point that it would need to do a minimum of three weeks in most venues to just cover the costs related to the load in and out, and at that time without a star in the role most venues weren't able to sell it for that long, let alone the up to six weeks they were hoping to be booked for. The producers were assuming that it would generate Phantom/Les Mis levels of hype on the road (those tours could sell a venue for six weeks at that time), but the public interest out on the road just wasn't there.