Hello, Dolly! was my first Broadway musical. I saw Carol Channing on tour, but Martha Raye was the first Broadway Dolly that I saw. Until the PRODUCERS eclipsed the record, Hello, Dolly! held the most Tony awards earned. The original production WAS perfection (casting, direction/choreography, sets, costumes, lighting, and a tuneful score). But the show was hardly perfection in its early tryouts in Detroit. Someone reportedly approached David Merrick (the show's producer) after seeing the Dolly in Detroit and offered him a razor blade.
Jerry Herman had a tough experience with Merrick working on that show, with other composers asked to contribute songs. But Gower Champion managed to pull it all together in a fluid production - even the scenery looked choreographed!
The show was on the verge of closing in 1967 (after almost four years) when Pearl Bailey and Cab Calloway breathed new life into it. They brought a freshness to the show - although the direction, choreography, sets, etc. remained essentially the same. I don't think the show needs to be reimagined. A new production would inevitably bring changes, but in the forty years since the original production closed, only two women have done Broadway revivals - Pearl Bailey and Carol Channing. I think new audiences deserve a chance to see this show, with a fresh cast - not necessarily with a dramatic re-imagining.
My vote for a new Broadway Dolly is Christine Ebersole.
Ray is the author of the Brad Frame mystery series, and two suspense novels. He is also the author of a one man play based on Ben Franklin. http://www.rayflynt.com