I caught the show last week and enjoyed it quite a bit.
In regards to the costumes, I can't say I noticed that they weren't replicas of Judy Garland's wardrobe, but I suppose if that is a production element that excites you, then I understand the disappointment.
My thoughts:
- Jinkx is wonderful in this, the evening I saw it, there were some vocal problems, at first I thought maybe the voice cracks during the songs were a choice, then in the second act during "Come Rain or Come Shine" it became apparent that it was not a choice and there were moments the orchestra helped play some notes under her to help support and disguise the fact that she wasn't there vocally. I'm fairly certain at one point she quit singing (but mouthed the words) and the horn section took on the notes she wasn't singing. It didn't bother me really as I know Judy's voice at this time in her life was not in tip top shape. My concern is for the health of Jinkx's voice, at times it sounds like she was pushing it, but I know she's a professional and hoping she's taking the necessary precautions off stage to ensure vocal health.
- There were sparse moments when all of the elements came together (a facial expression, movement, or stance) and I felt like I was watching Judy perform. Other times, I was grinning because it was so cool to see Jinkx show a side of herself that we've not seen before. She excels at the comedic moments, no surprise, but also broke my heart in the dramatic scenes.
- The show itself was not my favorite. After reading Liza's memoir, I couldn't help but understand why she's so protective of her mother's legacy and understood why she may have qualms with other people telling the story. There were moments that seemed a bit sensationalist and I wondered how accurate some of this was. I may have actually preferred the Renee Zellweger movie over the show.
- I don't know how many times they had to remind us that the accompanist character is gay. It felt like every time he spoke it was in regards to "reminder, I'm gay and I like men." After a certain point my friend who I was with turned to me as a joke and said "do you think he's gay? I can't really tell." That being said, the actor playing him was lovely and so sincere, it felt like he was the only one who truly cared about Judy and her well being.
- The set was minimal but effective, but at some points, I wanted a practical set. I'm curious what the plans are for this production, if they'll continue to tweak and evolve it for future productions elsewhere. I'm not sure I'd pay NYC prices to see this, so I'm glad I saw it in London and paid pennies for a great seat in the house.
- The theater this was in is absolutely gorgeous and fairly easy to navigate. The only thing that I thought could have been better is the merch table/line. I was able to snag a souvenir program (I HAD to take the stereotypical program/stage photo from my seat!) before the show with just a couple of minutes to spare before the show started. During intermission and after the show, the line was extremely long.
Overall, I felt like I was seeing a canon moment for the queer community surrounded by gays who wanted nothing more than to see Jinkx Monsoon succeed, and based on the response from the audience the evening I was there, and talking to several people who saw the production as well, I think Jinkx is a bonafide star and she only proved to the theater community she's a serious force of nature who is going to put in the work for any production she is in.
I'd give it 4 out of 5 stars.