Posted: 12/1/19 at 6:13am
I caught this in London last night and will add this to the list of shows that just shocked the hell out of me in the best possible way. I walk into any jukebox musical with the same skepticism but this one did it right and they knocked it out of the park in basically every single way.
The songs fit so perfectly into the story they were telling that there was (at least in my memory right now) no instance where I felt a song didn’t fit and was being forced in there. It really was almost as if the music was written for this show. I think since they had such a broad catalog to work with of Martin’s music it was a real advantage instead of a set list of songs from a certain album that they had to make sure fit.
And yes, I knew that it was a show the tweens are loving and I was told it was a “woke” show but this one did it RIGHT. Even the bits that reminded me of “Head Over Heels” was done so much better and without having to hit you over the head while screaming “YOU MUST ACCEPT ALL OF THESE THINGS!!!” and in any other show, I would roll my eyes at a lot of it. But they actually seemed to take the time to craft truly well written characters and dialogue and, to the extent it can be said for a show like this, believable situations.
I also must say that the cast is uniformly perfect. From Miriam-Teak Lee’s powerhouse vocals and lovely turn as Juliet (I think she can absolutely be the next big thing) to Jordan Luke Gage’s hilariously douchy Romeo, Oliver Tompsett’s hilarious Shakespeare, Cassidy Janson as Anne (it takes a hell of a voice to kill a Celine song and she did just that) to honestly everyone else. I just can’t think of anything I didn’t like in this show.
And what a great and rare surprise that is.
Updated On: 12/1/19 at 06:13 AM