I hated this show when I saw it on Broadway, but later gained some appreciation for it via the cast album, as well as seeing the Kushner's adaptation of the Durenmatt play in London last year (totally unaffiliated, but nevertheless, made me appreciate the story and themes).
My running theory, as always, is that Dull Doyle is responsible for screwing it up. I hope it does go to licensing so that other directors can give it another go.
I saw this in Chicago around 2000. It is to this day the movst moving, eerie, beautiful thing i have ever seen on stage. I've never been one for remembering music to something I've seen just once. I had the songs stuck in my head for years, before I finally found the demo recordings. What I saw on broadway was a bastardization of what I remember in Chicago. It felt like all the heart was cut out of the show. Lifeless. At least most of the music is on the cast recording. And I still have "You Know Me" on the demo.
The Goodman production was in 2001, directed by Frank Galati with choreography by Ann Reinking. Galati claimed that there had been talks about moving it to Broadway after that run, but that it was scuttled by 9/11 and the fact that very few people were willing to fly in from NY to see it. In addition the dark subject matter made it unlikely to be any sort of success in NY at the time.
John Doyle didn't really become involved with the property until the 2014 Williamstown Theatre Festival production.
One of my favorite stage door memories came from when I saw the show in 2016, and we were waiting for Chita Rivera to come out (who was absolutely lovely and gracious at the stage door). it took a little bit of time for her to come out, and while we were waiting someone came up to us and asked us who we were all waiting for. I replied "Chita Rivera", and the lady responded in the most Jersey of accents: "What's a Chita Rivera? Is that a person?" . To which reduced me to tears of laughter
darreyl102 said: "One of my favorite stage door memories came from when I saw the show in 2016, and we were waiting for Chita Rivera to come out (who was absolutely lovely and gracious at the stage door). it took a little bit of time for her to come out, and while we were waiting someone came up to us and asked us who we were all waiting for. I replied "Chita Rivera", and the lady responded in the most Jersey of accents: "What's a Chita Rivera? Is that a person?" . To which reduced me to tears of laughter"
I can confirm that at the stage door Ms. Rivera is nothing but lovely and gracious.
"Ok ok ok ok ok ok ok. Have you guys heard about fidget spinners!?" ~Patti LuPone
What other actresses (besides Chita) have been involved with this show? I think at some point I heard Angela Lansbury being tied to a reading or a previous production.
Based on the Wikipedia page: it sounds like Rivera came onto the project right after Lansbury, but maybe they had someone else behind the scenes at some point.
Also, I see that there was a production with Zoe Caldwell in 2003, but it seems that this was unaffiliated with the primary production that kicked around in development hell for all those years.
I believe it was written for Angela but she backed out because of her husband's failing health. Sad situation, he passed a couple years later. I'm sure she would have been thrilling in the role and it's hard not to be curious...
In Kander & Ebb's book 'coloured lights' they explain that several women were approached for the role:
1. Angela Lansbury, who of course dropped out (there is a demo recording of her singing Love and Love alone on YouTube, which is fantastic. I can easily imagine her facial expressions)
2. Glenn Close was then approach who 'turned us down'
3. Judy Dench was approached but wasn't available
4. Shirley MacLaine was 'interested at first' but then had a conflict
However, ultimately John Kander believes that there are 3 people who he thought were perfect for the part: "One was Angie, one was Judi Dench, and one was Chita. I still feel that way. As far as I'm concerned, we got one of my top three performers and nobody will ever be better in this part than Chita. She gives the performance of a lifetime".
I personally think the part is wonderful and I am excited that it will provide Donna Murphy, Patti LuPone or Bernadette Peters something to play in the future.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000