No, you didn't 'cause it still said Washington and Bolivar when I copy/pasted and replied to it, as you can see from your post. So there.
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
Just got home! I really liked it but overall I think the story is just too difficult to translate to film. The story holes in the musical were more obvious in the movie.
All of the acting was great except for Russell Crowe IMO--I feel like he was too busy trying to sing to really act. Amanda Seyfried wasn't that great IMO until the end, but she did a great job in the last scene. Anne Hathaway was fantastic.
The love story was really difficult for me to sit through, moreso than usual. It just seems so insipid compared to the rest of the story, although I know that we're kind of supposed to think that.
Singing-wise... everyone was pretty good except for Amanda Seyfried, although I actually found her bearable at times. Eddie Redmayne's jaw tension drove me crazy but he sounded good. Russell Crowe was very meh, it wasn't painful for me to hear but I thought his singing lacked emotion. Aaron Tveit and Samantha Barks were the standouts, of course. Colm Wilkinson sounded less "Sean Connery"-ish than usual.
I agree that there were too many close-ups but I thought that there were some great moments in the direction, too. The beginning scene in the shipyards was really well-done, and I liked some of the transitions.
I also liked some of the nods to the novel, like Valjean giving Cosette the doll when he takes her from the Thenardiers.
It definitely beat the Liam Neeson version, though!
Jimmy, what are you doing here in the middle of the night? It's almost 9 PM!
So I had a weird and serious question. The scenes before and after "On My Own", there was not a single glimpse or thought of rain, but during it, there was a huge STORM..WTH? Was that just a scattered shower?
There was also rain during "A Little Fall of Rain," naturally, but there didn't seem to be rain at any other point during the barricade. :-/
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
The rain! Yes, it drove me nuts in both instances.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I finally saw Les Miz, though I hesitated because of the length of the film. I really loved Hugh Jackman's acting, along with Anne Hathaway. Eddie Redmayne's voice was surprisingly good. Russell Crowe's singing was not impressive. It would have had more impact had a professional singer taken on the role of Javert. Amanda Seyfried's voice seemed fragile, almost like it was ready to snap at any moment. My favorite singing came from Samatha Barks as Eponine. LOVED her! from RC in Austin,Texas
"Noel [Coward] and I were in Paris once. Adjoining rooms, of course. One night, I felt mischievous, so I knocked on Noel's door, and he asked, 'Who is it?' I lowered my voice and said 'Hotel detective. Have you got a gentleman in your room?' He answered, 'Just a minute, I'll ask him.'" (Beatrice Lillie)
As you can see from my post I last updated it at 10.02 a.m. Your post correcting mine was at 10.52 a.m. What do you think I'm lying? I actually wrote that post, got on the subway, thought about it, realized I had misstated that the American revolution postdated the French Revolution and, embarrassed, corrected it as soon as I got back online.
When you update your posts, it doesn't update the time as well, inexplicably. For instance, your original post was posted at 10:02am, but the update is also listed as 10:02am, which is not possible 'cause, by your own admission, you took took a subway ride, pondered, realized your mistake, and corrected it when you were able to get back online. All that would've taken a long time. In the meantime, I saw your mistake and corrected it in my reply post, before you were able to go online again. Otherwise, I wouldn't have bothered if you had beaten me to it 'cause I wouldn't have seen it. But I did.
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
OK, my mistake. I thought I saw that no one had caught my mistake before I corrected it (I was worried someone had, and, congrats, apparently you did!) but I'll take your word for it that you did. In any event....
Salve, Regina, Mater misericordiae
Vita, dulcedo, et spes nostra
Salve, Salve Regina
Ad te clamamus exsules filii Eva
Ad te suspiramus, gementes et flentes
O clemens O pia
Saw it. Loved it. The film is much closer to the LES MIZ I always saw in my head while listening to the recording--as opposed to the stage show, which I found overly mechanical.
I agree that Seyfried wasn't great, but isn't that the major problem with the show as a whole? That the focal character (not the main or central character but the character with whom the main characters are concerned) is rather insipid and undeveloped?
I love Eponine, but I think it's a major dramaturgical problem in the musical that she takes up the time and music when we should be getting to know and forming an attachment to grown-up Cosette.
The film didn't solve the problem, but it didn't make it any worse.
And FWIW, watching it I finally understood what was being "barricaded". On stage, there just seemed to be a mountain of broken crap for the actors to climb while I was left to wonder why they called it a "barricade" rather than a "pile".
I appreciated that a few replied to my previous questions so I want to sneak just one more in---why do the children sound like Cockneys and Master of the House seemed to be set in a jolly olde english pub-a la Dickens--did they skip across the Chanel at some point?