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Liat and Cable.

PJMPirate
#1Liat and Cable.
Posted: 3/19/08 at 5:30pm

Seeing the revival of South Pacific a week or two ago has me thinking about Liat and Cable. I feel like their relationship is one of the most underdeveloped points in the whole show. What do you all think? Here are the questions I've been thinking about...

1. Why in the world does Bloody Mary want Cable to marry Liat? Her character up until then has been all about money, but all of a sudden, she's turning down an offer from a rich planter and offering to give Cable and Liat all her money. Why? Just because she thinks Cable is "sexy"?

2. I just felt that there is nothing to their relationship... they have sex a few times, and all of a sudden Cable is in love with her, but not enough to marry her? Why not?

What do y'all think could have been done by R&H to beef up this part of the story?

Thanks, and sorry for the long post.

bwaylvsong
#2re: Liat and Cable.
Posted: 3/19/08 at 5:34pm

I haven't seen the revival yet, but I'll give it a shot.

1. She sees how much Liat loves Cable, and knows he will treat her well. She does not think that Liat will love the planter, nor will he take good care of her.

2. It should be clear by their acting that the relationship is more than physical. Cable is unwilling to marry Liat because of the racial differences and his girl back home.

I think if R&H gave Liat more to do, it would have been perfect. However, what they do have is sufficient, and a good actor should make everything clear to the audience.




Updated On: 3/19/08 at 05:34 PM

PJMPirate
#2re: Liat and Cable.
Posted: 3/19/08 at 5:40pm

Thanks for the response. That's an interesting point about the acting. I for one was NOT a fan of some of Matthew Morrison's choices as Lt. Cable.

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BigFatBlonde
#3re: Liat and Cable.
Posted: 3/19/08 at 6:29pm

Here is what I posted when Jaystarr posted a similar question. Hope it helps:

I don't know anything about wartime Polynesian or Tonkinese society, but I've always assumed that parents arranged marriages and choose partners based on financial considerations as much as anything else. That is why a wealthy planter would be an advantageous and reasonable choice, whether or not there was any actual "love" involved.

As aliciag correctly points out, Bloody Mary is a capitalist. With her new found financial freedom Bloody Mary can afford to marry off her daughter to a man who would make her daughter happy. She sees something in Cable and just "knows" that he and her daughter would be a good match. And judging from their reaction to each other, she was right.

The fact that Bloody Mary would consider a man outside of her race dramatically contrasts the racist mentality that Cable is wrestling with.

So I don't see it as Bloody Mary putting the white race on some superior level. I see it as part of the over-all power of love theme that runs throughout South Pacific.

As for the race issue being out dated. I can't agree. I haven't seen this production yet, but I know the show pretty well. The way Hammerstein handles the race issue is so smart and so brilliant. He doesn't make his character clear cut, easy to hate bigots...but likeable individuals struggling with what they have been taught vs what their hearts tell them is right. That dilemma is as much a part of the human condition today as it was then.


What great ones do the less will prattle of

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jsg03jd
#4re: Liat and Cable.
Posted: 3/19/08 at 6:43pm

As for Joe not marrying Liat, I believe the show was making the point that Cable, a Princeton educated Northerner, was himself not immune to prejudice. Cable is then juxtaposed to Nellie, a so-called "hick" from Arkansas, who eventually was able to accept Emile and his biracial children whereas Joe was unable to accept Liat and his love for her fully.

In other words, even if one were "educated" and supposedly liberal, that does not necessarily translate to one being free of one's prejudices that were somehow learned throughout his or her upbringing.

Just my $0.02. Can't wait to see the revival.

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theaterkid1015
#5re: Liat and Cable.
Posted: 3/19/08 at 10:37pm

I think the love can be seen as an intoxication in a sense. Here he is, totally separated from American society on an island with an exotic, beautiful young woman. He's swept up in the mystique of it all and falls into that ideal love that's too ideal to be true.

And, I agree with BigFatBlonde. The issue is never dated, and Hammerstein deals with it beautifully.


Some people paint, some people sew, I meddle.

puppetman2
#6re: Liat and Cable.
Posted: 3/20/08 at 11:23am

Bloody Marry states that Liat refused to marry anione except Cable. There is also the fact that as Cable's wife she will go to America, something much wanted at that time.

The situation is motivation for the excellent song You Have To Be Carefully Taught.

This situation was a big one in WW2, not only in the Islands, but also in Japan.


It Sucks To Be Me
Updated On: 3/22/08 at 11:23 AM

Roscoe
#7re: Liat and Cable.
Posted: 3/20/08 at 12:16pm

It is also worth remembering that this story is set during a war, when people tended to get very close very quickly.

I didn't work up much enthusiasm for the Liat/Cable storyline in this production either. It did seem clear to me that Bloody Mary is pimping out her daughter to Cable out of a desire to see her get a chance at a better life by ensnaring an American, or at least for her to have some kind of happy time with a man before being sold to a planter.

But Mr. Morrison, as fine looking as he is, just never brought Cable to life for me. I hope he and Bartlett Sher get some time together to work on this.

I don't think the matters of race are dealt with in a particuarly deep way. It must have been a shock in the 1940s to see this handled at all, a biracial sexual relationship was strong stuff for a musical to be dealing with back then. But in 2008, I did find myself wishing for something that went a little further, told me a little more about these people as people.


"If they can get you asking the wrong questions, they don't have to worry about the answers." Thomas Pynchon, GRAVITY'S RAINBOW "Reality is that which, when you stop believing in it, doesn't go away." Philip K. Dick My blog: http://www.roscoewrites.blogspot.com/

jrb
#8re: Liat and Cable.
Posted: 3/20/08 at 12:17pm

I also think it's worth noting that Mary doesn't speak English as her first language - thus she uses simple substitutions to convey deeper meanings. When she says, "Damn sexy" with regards to Cable, she's not just talking about his physicallity. She is trying to convey the fact that he has something special - an engery that she sees as being right for her daughter. Mary's an opportunist, but she's also a human being.

On a darker level, Mary serves to show the audience that racism is universal. Mary is attracted to the idea of Cable, partially, because of his race - and to the frenchman because of his wealth. She wants what is best for Liat, but a part of her has come to believe that what is good for her is anything NOT Tankanese.

In the end catharsis abounds - but too late for everyone save Nellie.
Updated On: 3/20/08 at 12:17 PM

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SueleenGay
#9re: Liat and Cable.
Posted: 3/20/08 at 12:19pm

Could it also have to do with the fact that America was (is) looked on as the place where all dreams can come true? By marrying Liat off to an American, she would ensure her going to the States and in her mind, a better life.


PEACE.

jrb
#10re: Liat and Cable.
Posted: 3/20/08 at 12:21pm

I thought about that, but Mary says that Liat and Cable can lay on the beach all day and make love and never work, and that she will take care of them both.

I think it does have to do with the American Dream, though. To Mary, the idea of marrying an American Man somehow brings America to her daughter's world.
Updated On: 3/20/08 at 12:21 PM

BkCollector
#11re: Liat and Cable.
Posted: 3/20/08 at 12:22pm

"On a darker level, Mary serves to show the audience that racism is universal."

I wholeheartedly disagree with this statement, and I can provide stacks of anthropological papers to back it up. Racism is not universal in any real sense. Distrust of outsiders is not equatable to racism in certain societies. Especially when an army of outsiders marches into your society and bombards your culture with a culture of it's own.

Also, it's very difficult to ascribe racism to a non-dominant culture. Racism usually only works in one direction, from the oppressors to the oppressed. "Reverse Racism" doesn't exist, because racism is about power, and so those without power cannot oppress those above them.

Racism is systemic, but bigotry can be individualistic.

Updated On: 3/20/08 at 12:22 PM

jrb
#12re: Liat and Cable.
Posted: 3/20/08 at 12:32pm

Okay - I can see your point.
Let's say that my termonology was off. What should we call Mary's desire to have her daughter marry an American, then and not one of her own people? Just opportunism?

I agree, it's a different dynamic, and perhaps not race-based, but there's something there. I just don't know what to call it, I guess.

Though I disagree that racism is only found in dominant cultures. Updated On: 3/20/08 at 12:32 PM

roquat
#13re: Liat and Cable.
Posted: 3/20/08 at 12:34pm

Sorry, but I consider this show a dreary, dated relic, and the Liat/Cable storyline one of the most insipid in musical theatre--the song "Happy Talk", which could induce tooth decay, wouldn't be out of place on "Sesame Street."


I ask in all honesty/What would life be?/Without a song and a dance, what are we?/So I say "Thank you for the music/For giving it to me."

BkCollector
#14re: Liat and Cable.
Posted: 3/20/08 at 12:37pm

I'm not saying that Mary is not being opportunistic, but that's not racism, it's just being observant :).

I didn't mean that racism didn't occur in many cultures, I meant that racism only occurs from the dominant part of society, but that can happen in ANY country that has a unequal society, either politically (by governmental decree {see South Africa}) or socially, like us.

jrb
#15re: Liat and Cable.
Posted: 3/20/08 at 12:54pm

So refreshing to have a conversation like this without "yelling". Cheers to mature discourse!

One last question then, on this topic - Is there a term for reactionary resentment one feels for a race that has subjugated or repressed their race in the past? For example, if an African American man/woman born in the USA in say the 1980's resents or even hates whites as a result of past injustice - under your definition, this would not be racism, as the USA populous is still prodominantly white (unfortunately).

As for South Pacific, I think that while the themes may seem archaic and the relationship between Cable and Liat may seem thinnly-drawn, one has to look at it through an historical lense. It's an art piece from a past generation. You cannot hold it up to the light of modern drama.


Updated On: 3/20/08 at 12:54 PM

bwaylvsong
#16re: Liat and Cable.
Posted: 3/20/08 at 12:55pm

"I also think it's worth noting that Mary doesn't speak English as her first language - thus she uses simple substitutions to convey deeper meanings. When she says, "Damn sexy" with regards to Cable, she's not just talking about his physicallity. She is trying to convey the fact that he has something special - an engery that she sees as being right for her daughter. Mary's an opportunist, but she's also a human being."

Exactly. She clearly learned English solely from hearing it a lot, and had heard "saxy" as a compliment for the opposite sex. She might not have even known it has much to do with physical appearance. She likely just saw that Cable was a good, nice guy and called him "saxy" because of it.

BkCollector
#17re: Liat and Cable.
Posted: 3/20/08 at 12:57pm

jrb: I would call that being angry at being oppressed, and can you blame anyone for that? Being distrustful of people who look like the people who oppress you (because of what you look like) is self-preservation, not racism.

But yes, hurray for mutual intelligent discourse.
Updated On: 3/20/08 at 12:57 PM

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bwaygal1
#17re: Liat and Cable.
Posted: 3/20/08 at 12:57pm

In the film (haven't seen the show yet), Mary says she wants a 'sexy American' for her daughter. If Liat and Cable had married, then Liat would have become an American citizen.

I think positive racism (can you call it that?) existed here-the idea that the Americans/whites were superior to Bloody Mary. (perhaps because she'd been looked down upon due to her Tonkenese background.) At any rate, it's an interesting relationship.


"A birdcage I plan to hang. I'll get to that someday. A birdcage for a bird who flew away...Around the world." "Life is a cabaret old chum, only a cabaret old chum, and I love a cabaret!"-RIP Natasha Richardson-I was honored to have witnessed her performance as Sally Bowles.

philcrosby
#19re: Liat and Cable.
Posted: 3/20/08 at 4:09pm

I think BFB nails it in her analysis.

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jsg03jd
#20re: Liat and Cable.
Posted: 3/20/08 at 6:33pm

There's no such thing as "positive racism." Colonial mentality on Bloody Mary's part, perhaps, but there is nothing positive about racism.

I'm surprised to hear some sentiments that this show doesn't hold up for a 2008 audience. That's a reaction I expect more from a show like WEST SIDE STORY, but given our political climate, I would have thought SOUTH PACIFIC would be resonant.

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keen on kean
#21re: Liat and Cable.
Posted: 3/20/08 at 10:45pm

If you read the relevant story in TALES OF THE SOUTH PACIFIC, the relationship of Cable and Liat is based on Cable's sexual frustration and his loneliness and isolation. He is captivated by her youth and beauty but since they can't converse (she speaks French and Tonkinese, he English) it is hardly based upon a meeting of the minds. The relationship is romanticized by a rapturous love song which makes it more palatable to musical theater audiences, and since *SPOILER* it ends with Cable's death, the racism issue is only fully joined for Nellie and Emile.

roquat
#22re: Liat and Cable.
Posted: 3/21/08 at 12:54am

"It's an art piece from a past generation. You cannot hold it up to the light of modern drama."

If something is truly a work of art, it transcends time periods. Apparently SOUTH PACIFIC does that for some people, but not for me. I consider its treatment of racism comparable to the treatment of alcoholism in DAYS OF WINE AND ROSES, or the treatment of drug addiction in A HATFUL OF RAIN--"shocking" in its day, tame now.


I ask in all honesty/What would life be?/Without a song and a dance, what are we?/So I say "Thank you for the music/For giving it to me."

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Sleeper2
#23re: Liat and Cable.
Posted: 3/23/08 at 8:13pm

A discussion of race is irrelevant today, a relic of the past? You should have told Barack that and saved him some time. Or maybe look beyond 10 blocks in midtown Manhattan. Nellie's story arc, coming to grips with a past relationship resulting in two mixed race children, is very relevant today.

Isherwood's piece in the Times really resonated with me. The story really holds up as a story about America coming to terms with its place in the world. At the end of WW2, we were a superpower, policing the world, and a moral arbiter. The current Administration would like to believe this is still the case -- the only difference is that the rest of the world doesn't buy it anymore.

The piece is extremely relevant in political and social terms. And that's much more important than whether it's "shocking."
Updated On: 3/23/08 at 08:13 PM

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singingshowgirl
#24re: Liat and Cable.
Posted: 3/23/08 at 10:16pm

did anyone else have issues with the fact that liat and lt. cable shared a bow together? obv lt. cable is a thousand times bigger....maybe they wanted to say that they symbolically end up together??? but i was really annoyed. she had like 3 lines and no singing....she was good, but come on.


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