It is breathtaking visually and the alternative version of Rainer Maria Rilke's "Oedipus and Euripedes" is in the top-five of the most enduring theatrical images I have ever witnessed.
The words are among the most evocative in western literature concerning the incomprehensible state of death:
“She was deep within herself, like a woman heavy with child, and did not see the man in front or the path ascending steeply into life. Deep within herself being dead filled her beyond fulfillment. Like a fruit suffused with its own mystery and sweetness, she was filled with her vast death, which was so new, she could not understand that it had happened.”
-Rainer Maria Rilke (Oedipus and Euripedes.)
I have already hopped a plane to see this play--and that was my third time.
It's gorgeous beyond words when the original sets are used and the incidental music is inspired. All in all, it is aesthetically sumptious and although Zimmerman has often been criticized for employing her own cadre of actors and actresses rather than more-seasoned professionals, to me the piece is an almost flawless mosaic of tragedy and comedy with moments that alternately elicit heartrending sorrow, aching beauty, belly laughs, and ultimatley awe.
A masterpiece by any standard.
Updated On: 7/15/06 at 06:41 PM