"Paper Moon" starred Gregory Harrison and Ebersol. After Paper Mill, it was announced for Bdwy which never happened.
"Arthur" premiered in Chicago in 1990 with Greg Edelman in the title role and Carolee Carmelo in the Liza role. This is where they met and went on to do the national tour of "Falsettos".
The biggest not to make it to NY in the past 10 years is Tommy Tune's "Busker Alley" or whatever you want to call it.
Ignorance is temporary. Stupidity last forever.
Watch out BWW...
HE'S BACK.
though i love Sondheim to death, i'm not sure i love Saturday Night... it has its good moments but i don't think its actually that good
(yet this comes from someone who willingly listens to Closer to Heaven)
"Picture "The View," with the wisecracking, sympathetic sweethearts of that ABC television show replaced by a panel of embittered, suffering or enraged Arab women" -the Times review of Black Eyed
Tune's Birdie was never ment to go to Bdwy. It was always designed to be a road show only. While it proved a hit on the road and producers wanted to bring it in, Tune said no.
You may also remember that Tune received his Tonys for "Follies" from the Birdie stage in Seattle.
Yes...I was there!
Ignorance is temporary. Stupidity last forever.
Watch out BWW...
HE'S BACK.
"For me, THEATRE is an anticipation, an artistic rush, an emotional banquet, a jubilant appreciation, and an exit hopeful of clearer thought and better worlds."
~ an anonymous traveler with Robert Burns
"For me, THEATRE is an anticipation, an artistic rush, an emotional banquet, a jubilant appreciation, and an exit hopeful of clearer thought and better worlds."
~ an anonymous traveler with Robert Burns
Still waiting for Maurice Hines rap version of "Alice in Wonderland" called YO, ALICE!. He swore up and down that it would make Broadway.
Come to think of it, there was a musical called ALICE starring Debbie Allen in 1977 that didn't make it to Broadway, either. Obviously it was a shameless attempt to copy the success of THE WIZ. (Saw Debbie Allen in a poster of it. One of the UGLIEST logos ever!)
Let's not forget BREAKFAST AT TIFFANY'S. David Merrick closed it before it arrived on Broadway despite its huge advance.
There was also the failed Bea Arthur tuner A MOTHER'S KISSES, and Angela Landsbury's flop PRETTYBELLE as well. Neither made it to Broadway.
Praying Decca Broadway will put "Don't Bother Me, I Can't Cope" on CD!
Saturday Night has played off-Broadway, and has two cast albums, so although it was indeed once lost, it would count as a "found" show now.
Someone else mentioned "Bring Back Birdie", which also doesn't really count as a "lost" musica, since it had a (very short) Broadway run. I saw it, actually,and it was pretty ghastly.
Behind the fake tinsel of Broadway is real tinsel.
I didn't know that Hot Shoe Shuffle was ever intended for Bdwy after its run at TUTS (?).
Wasn't the Debbie Allen Alice musical called "Never Jam on Monday" or some weird name. I don't think it was called "Alice".
And let's not forget the kings of "intended for Broadway"..Schmidt and Jones. "Collette", "Grover's Corner", that little girl on the wire show at Goodspeed.
Ignorance is temporary. Stupidity last forever.
Watch out BWW...
HE'S BACK.
"my drama teacher told me about a sequel to bye bye birdie called bring back birdie witch ran 4 proformances on broadway and then closed"
I saw "Bring Back Birdie" and four performances were too many.
"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"
Another disaster was the musical "Angel" which was based on the play "Look Homeward Angel". That one ran for five performances and was another one that I saw and thought that it actually ran too many performances.
"Smart! And into all those exotic mystiques -- The Kama Sutra and Chinese techniques. I hear she knows more than seventy-five. Call me tomorrow if you're still alive!"
It was a huge critical success in its original producition downtown. It did not fare so well with the uptown Broadway audiences. Score, book and lyrics are quite brilliantly concieved, in my opinion.
Unfortunately, it has gone nowhere.
Only two off off Broadway productions in Manhattan in the last 30 years.