Got an email from Lincoln Center regarding the show for tomorrow (Sunday). They are listing the official runtime as 2 hours 55 minutes including intermission. I’m assuming it’ll run over a bit since it’s still early into previews.
I've said it before here and I'll say it again before people keep freaking out about the running time - barring something like the original 1980's version of Les Miz, My Fair Lady is one of the longest musicals ever written - right up there with Showboat and things like that.
The movie runs 2 hours 55 minutes, and that's with a truncated overture, no curtain call, no complicated scenery changes, and only a 30-second 'intermission'.
The Melissa Errico/Richard Chamerlain revival also ran 3 hours.
They will get it down to 3 hours here, through pacing and tightening up a set change here or there... but it will never run much less than that.
Thanks, everyone. I asked because I will have to boogie out to Brooklyn for the 7:30 performance of The Winter's Tale. Looks like I am in for a mad dash. I should have signed up for the half marathon!
Kimbo said: "I've said it before here and I'll say it again before people keep freaking out about the running time - barring something like the original 1980's version of Les Miz, My Fair Lady is one of the longest musicals ever written - right up there with Showboat and things like that.
The movie runs 2 hours 55 minutes, and that's with a truncated overture, no curtain call, no complicated scenery changes, and only a 30-second 'intermission'.
The Melissa Errico/Richard Chamerlain revival also ran 3 hours.
They will get it down to 3 hours here, through pacing and tightening up a set change here or there... but it will never run much less than that."
True, most productions run around 3 hours, but when I did a production, it ran 2 hrs. 30 min., and the only cuts we made were to transitional music we didn't need. The pacing was brisk, though not rushed, the transitions were fluid, and the tempos were lively. I'm not saying this to brag or anything, just to point out that it can be done. The pacing of dialogue of the film is abysmally slow. Not that I don't trust this revival to be excellent, just saying that 3 hours is not the case for all productions--so much variation can be found.
I’ve never really understood overtime for Broadway shows. Why is there an arbitrary point of overtime assigned to all shows rather than a contract that reflects the shows run time?