I've been reading the Shakespeare scholar Marjorie Garber, and she discusses the rhetorical device of chiasmus, "the crossing of worlds."
This is why SMASH is destined to greatness on a far deeper level than a mere soap opera.
As Garber writes in
Shakespeare and Modern Culture: “The structure of thinking exemplified by chiasmus works both structurally and symbolically: the productive confusion between art and life, inside and outside, container and contained was essential to both the stability and the destabilization of Shakespearean theater."
Stability and destabilization? Is that not the essence of where we live now? Can we even think of anything more emblematic of this than Karen McPhee and Ivy Hilty jamming out while drunk in Times Square? Former enemies/drunken frenemies. Not far from where a failed terrorist tried to set off an SUV bomb?
I am arguing that SMASH is aiming to be an intellectual cultural document of our time.
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Updated On: 5/4/12 at 05:16 PM