NBC's SMASH - Series & Broadway Adaptation Thread

What do you think?

Updated On: 3/22/23 at 08:33 PM

Betty Buckley in 1776. First day in town, she auditioned for the leading lady and was cast.

No broadway credits at least would be Merman in girl crazy, though she was a very popular vaudevillian before this.

Kinda sorta Mary Martin, she only had two singing gigs one where no one saw her, another bit radio advertisment but no broadway credits and went into Leave it to Me.

Laura Osnes and Max Whats-his-face in Grease.

Most of the cast of 13.



And must I say: IT'S A TV SHOW!

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AVenue Q, Title of SHow, In the Heights


Josh Strickland in Tarzan


...ok....enough .

Updated On: 1/2/12 at 09:17 PM

NEW SUBJECT: They both look incredible.

Girl's got some shoulders on her ...

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best12, she looks like Marin Mazzie in that pic!

Just watched the pilot and they're both fantastic. The ending of the first episode is a musical clip-hanger, with the two of them waiting their hearts out on a very, VERY good Shaiman/Wittman song that has the two of them belting their lungs out. Loved it!

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I think this show has enormous potential. Not only was I interested in the main storyline, the competition between McPhee and Hilty's characters for the role, but the other plotlines are also very intriguing, and they meld together well. I initially thought that it would be ridiculous to even think that Hilty would not get the role, but McPhee is extremely talented and I foresee a legitimate competition arising. I do wonder, though, if the creators plan on reducing or eliminating either Hilty or McPhee once Marilyn is cast. Perhaps they have other ideas for how to use the one who does not get cast?

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@PalJoey Any other thoughts on the Pilot episode? I cannot wait to see it and am very interested to hear what it may be like.

I agree with what bwayfan said about the cast is really true: They make you interested in ALL the storylines. Theresa Rebeck and Michael Meyer have done it right. And Joshua Bergasse's choreography is exciting.

Obviously the story is making McPhee's character the innocent-waif-with-talent-who-should-really-get-the-job but Hilty is so good as Marilyn--she gets the whole amazing baseball number to herself!--that you keep thinking, "Wow, she might not be as likable but she would be terrific." And that final number of the first episode doesn't leave either one of them the clear winner. That's what makes it such a cliffhanger!

But the rest of the cast--and their storylines--make the show seem like it has winner potential. Anjelica Huston is simultaneously sympathetic and larger-than-life as the female half of the divorcing producer couple determined to show her ex--and all of Broadway!--that she can make a hit without him, a Fran-who needs-no-Barry.

In just this first episode, Debra Messing as one half of the songwriting team, created a fully fleshed out, funny, likable and totally believable straight woman of the theater. I feel like I already know her--and I already like her--and I already think of her as extremely talented. And Christian Borle as her gay writing partner who can't remember the name of one of the chorus boys he's slept with...yeah, I feel like I know him too--and Borle is giving a pitch-perfect performance.

The others are good too--espeically Jack Davenport as the straight British director who doesn't like when Christian Borle fawns over the divas, Jamie Cepero who play Borle's cute assistant, and smolderingly sexy Raza Jaffray who plays McPhee's boyfriend. I feel like if he were to coach me in how to play Marilyn, I'd get a callback too.

And don't discount Wesley Taylor (from Addams Family and Tales of the City) as the cute chorus boy whose name Christian Borle can't remember. I think we're going to remember him.

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Updated On: 1/4/12 at 12:15 AM