"When you have such high expectations, and you are disappointed, the only one that you can be disappointed with, is yourself."
nealb1--I think that's where bk got his "blame" issue with your comments.
I don't think anyone can erase personal history when viewing a movie (or play or painting, etc.) Of course, we each bring in previous memories, experiences and perspective. It can't be avoided.
And I don't think anyone should have to "check their identities at the door" when viewing art. That's not the point of a personal opinion. This is not a "fair trial." It's not based on facts. It's your opinion. Nothing more or less. And there is no such thing as an "unbiased opinion," either. We are all biased, based on our individual histories. That may include knowledge and/or love of previous incarnations of this story on film or stage.
I admit, I might have related to Guido in this particular movie more than I expected, and perhaps more than many other people in the audience did, because in a way, I'm at a similar crossroad in my life right now. (Although I'm not a famous, sexy, Italian film maker---try as I might.
)
It had nothing (or very little) to do with my previous experiences seeing the Fellini film or the stage show. I didn't need any help being drawn to him or finding his "appeal." It was there for me already in his situation. Still, I can easily see how others wouldn't care or would lose interest quickly with a character like this (as Guido is portrayed in this particular adaptation).
I was also speculating in my posts here that more audience members might have been drawn into Guido's dilemma with added humor or charm ... since it bridges gaps and creates an identifiable quality when people otherwise can't quite relate to a situation or character. It's clear that others have found great charm in Mastroianni's original portrayal of Guido. Although (and I hate to even mention this to some of you), I know quite a few people who unfortunately hate "8 1/2" and think it's a giant mess and a bore. Even people who adore other Fellini movies.
*ducks*
Miss Penny---I guess I would add "enter at your own risk" then. If you go in expecting "8 1/2," you won't get it. It's not that movie. You will see glimpses of it, homages to it, you'll also see glimpses of the original Broadway production and its revival. But this is its own creation. It's something "new," based on "old."
Whether or not it works for you, and you identify emotionally with it, I couldn't say. I think you still might love many creative aspects of this movie and its solid performances in particular.
As far as Nicole Kidman, she's wonderful and effective in a brief role. I loved her scene with Guido and her haunting song. I think all the women are outstanding in the movie. It's a succession of brief encounters and "star turns," and it was obvious to me why each of these ladies is a star. And Rob Marshall "falls in love" with each one of them himself behind the camera. He knows how to make them shine. I'm sure that's why they jumped at the chance to work with him . They trusted that, if nothing else, he would "do right by them" in his movie. I believe he most certainly did.
"Jaws is the Citizen Kane of movies."
blocked: logan2, Diamonds3, Hamilton22
