bear88 said: "I am curious about how Great Comet will do overall, and I wonder why people still think it's a serious contender for Best New Musical. I loved the show, and I can make a case for it, but it seems like the two leading contenders are Dear Evan Hansen and Come From Away. Even the show's biggest fans here seem resigned to the likelihood that it won't win, probably won't get Score, and might not get anything but technical awards. But I don't know any Tony voters, don't have any idea about a groundswell behind this show or that one. I'm just curious."
I think it's still a serious contender because I don't see any reason why it wouldn't be, other than the fact people keep repeating 'it's between CFA and DEH.' Why is it? Comet has acclaim, 12 Tony nominations, it has just as much of a fanbase on here as DEH and probably more of one than CFA. I can see the inaccessibility argument and the divisive nature of the show but I think that would more likely work against it if the award was voted for on a preferential ballot, like Best Picture at the Oscars.
Again, I'm not saying it's winning, but I think it's foolish for anyone to count it out, especially as it's poised to take a ton of Tonys home unlike Come From Away.
Updated On: 5/11/17 at 03:29 PM