Posted: 4/15/26 at 12:47am
New Billy Crystal one man show 860 to premiere at the Imperial in October
Posted: 4/15/26 at 1:04am
“700 Sundays” remains one of the best things I’ve ever seen, so this just became my most anticipated show of 2026.
Posted: 4/15/26 at 4:36am
At a Shubert Theater TBA, not necessarily THE Shubert.
Posted: 4/15/26 at 6:38am
Same, 700 Sundays was one of my top 10 nights at the theatre, LOVED it and so glad he's coming back.
Posted: 4/15/26 at 8:42am
These are the kinds of shows we can expect to hit Broadway in the coming years. I'd gladly accept more autobiographical solo performances as long as they're worth a watch.
I'd assume the main purpose of this is to get it filmed for a streaming service.
Posted: 4/15/26 at 8:47am
mitchern said: "Same, 700 Sundays was one of my top 10 nights at the theatre, LOVED it and so glad he's coming back."
Agreed. I was profoundly moved by 700 Sundays and I'm glad he's coming back in a one man format after whatever Mr. Saturday Night was.
Posted: 4/15/26 at 12:03pm
willep said: "At a Shubert Theater TBA, not necessarily THE Shubert."
The Winter Garden or Barrymore for this?
Posted: 4/15/26 at 2:03pm
PeterC6482 said: "willep said: "At a Shubert Theater TBA, not necessarily THE Shubert."
The Winter Garden or Barrymore for this?"
Maybe also Booth after Proof or Imperial if Chess doesn't extend post-Jojo (700 Sundays played there)
Posted: 4/15/26 at 2:18pm
Yeah, my guess would be Barrymore or Imperial. I can't imagine him playing the Winter Garden, and isn't Much Ado rumored to be going in there?
Posted: 4/15/26 at 4:04pm
I think 700 Sundays played the Broadhurst.
Posted: 4/15/26 at 4:06pm
PeterC6482 said: "I think 700 Sundays played the Broadhurst."
The original production did, but the 2013 remount played the Imperial
Posted: 4/19/26 at 1:24am
I was reading the press release and does it seem strange that tthis is playing a Shubert theater but being produced by James L. Nederlander?
Posted: 4/19/26 at 1:28am
I think this has happened before. And I think they have also both been producers on the same shows in the past.
Posted: 4/19/26 at 11:20am
It’s called 860 which was his home address and ultimately burned down due to the devastating fires….he documented everything so shares those stories and all the funny stories when staying at that address….
Posted: 4/19/26 at 7:33pm
It would be great to get a Los Angeles out of town tryout so the community can experience this.
Posted: 4/20/26 at 2:26pm
Nederlander frequently co-produces shows in Shubert theatres, especially when his own houses are occupied.
Posted: 5/15/26 at 12:21pm
Five readings of this are being presented at the Baryshnikov Arts Center, tonight through Monday at 7 pm and Tuesday at 2 pm. Roundabout subscribers received an email invite; I'm not sure who else lucked out. All dates are now filled, but maybe there will be cancellation lines? Run time is listed as approximately 100 minutes with no intermission. I'm going on Tuesday and will report back (to the extent allowed).
Posted: 5/15/26 at 1:45pm
Still hoping he brings it to Los Angeles after. It only makes sense....right?
Posted: 5/15/26 at 2:41pm
emo_geek said: "Still hoping he brings it to Los Angeles after. It only makes sense....right?"
700 Sundays came to LA for two months after its initial Broadway run, and given the subject matter I can't imagine that this doesn't follow a similar trajectory.
Posted: 5/19/26 at 6:11pm
I saw the last of five "readings" of this today - actually a full performance, with Billy only occasionally looking at the teleprompters on the stage. It was a thrill to see him workshop this material in such an intimate setting, including a warm Q&A afterwards. Marc Shaiman provided live keyboard accompaniment, as they're apparently testing out the music cues to use during certain scenes. The play, as previously described, is ostensibly about the loss of his Pacific Palisades home during the January 2025 fires, but on a broader level it's about loss, impermanence, death, and grief...as well as the randomness of luck and/or fate. As you'd expect from a Billy Crystal play, it is very funny, but also deeply moving and profound. As an Angeleno who lived through the fires and has many friends and family members who lost everything, I can say that many tears were shed this afternoon.
In its current form, the play is a bit scattershot, jumping around in time and including autobiographical anecdotes about his marriage, his children, his early standup career (including a hilarious story about opening for Blood, Sweat & Tears in Scranton), Mickey Mantle, Muhammad Ali, "Soap," "SNL," hosting the Oscars, "When Harry Met Sally," Rob Reiner, Norman Lear, Robin Williams, and more. Many - but not all - of these apparent diversions ultimately tie in to the central story and theme, and I expect as Billy and Scott Ellis continue to refine the piece they might jettison some of the more peripheral material or find ways to strengthen the connective tissue. But I can already tell you with some assurance that this will be a performance not to be missed, so get your tickets when they're available. Opening in October at the Booth.
Updated On: 5/19/26 at 06:11 PM
Posted: 5/19/26 at 8:40pm
Dan6: I saw the last of five "readings" of this today - actually a full performance, with Billy only occasionally looking at the teleprompters on the stage. It was a thrill to see him workshop this material in such an intimate setting, including a warm Q&A afterwards. Marc Shaiman provided live keyboard accompaniment, as they're apparently testing out the music cues to use during certain scenes. The play, as previously described, is ostensibly about the loss of his Pacific Palisades home during the January 2025 fires, but on a broader level it's about loss, impermanence, death, and grief...as well as the randomness of luck and/or fate. As you'd expect from a Billy Crystal play, it is very funny, but also deeply moving and profound. As an Angeleno who lived through the fires and has many friends and family members who lost everything, I can say that many tears were shed this afternoon.
In its current form, the play is a bit scattershot, jumping around in time and including autobiographical anecdotes about his marriage, his children, his early standup career (including a hilarious story about opening for Blood, Sweat & Tears in Scranton), Mickey Mantle, Muhammad Ali, "Soap," "SNL," hosting the Oscars, "When Harry Met Sally," Rob Reiner, Norman Lear, and more. Many - but not all - of these apparent diversions ultimately tie in to the central story and theme, and I expect as Billy and Scott Ellis continue to refine the piece they might jettison some of the more peripheral material or find ways to strengthen the connective tissue. But I can already tell you with some assurance that this will be a performance not to be missed, so get your tickets when they're available. Opening in October at the Booth.
Thank you Dan6 for such a detailed report. I saw 700 Sundays multiple times so I can't wait for this show.
Posted: 6/15/26 at 8:38am
860 will begin previews October 1 at the Imperial. Opening night is October 21 and it will run through January 3
https://playbill.com/article/billy-crystals-new-solo-show-860-sets-dates-at-broadways-imperial
700 Sundays previously played the Imperial in the 2013-14 season
Updated On: 6/15/26 at 08:38 AM
Posted: 6/15/26 at 8:44am
Sure. Why not?
Posted: 6/15/26 at 9:13am
Not surprised it's taking the Imperial. Curious to see ticket prices.
Posted: 6/15/26 at 10:03am
Anyone able to access the Audience Rewards presale? It's just taking me to the homepage and no indication of the show itself.
BroadwayWorld TV