I saw the last of five "readings" of this today - actually a full performance, with Billy only occasionally looking at the teleprompters on the stage. It was a thrill to see him workshop this material in such an intimate setting, including a warm Q&A afterwards. Marc Shaiman provided live keyboard accompaniment, as they're apparently testing out the music cues to use during certain scenes. The play, as previously described, is ostensibly about the loss of his Pacific Palisades home during the January 2025 fires, but on a broader level it's about loss, impermanence, death, and grief...as well as the randomness of luck and/or fate. As you'd expect from a Billy Crystal play, it is very funny, but also deeply moving and profound. As an Angeleno who lived through the fires and has many friends and family members who lost everything, I can say that many tears were shed this afternoon.
In its current form, the play is a bit scattershot, jumping around in time and including autobiographical anecdotes about his marriage, his children, his early standup career (including a hilarious story about opening for Blood, Sweat & Tears in Scranton), Mickey Mantle, Muhammad Ali, "Soap," "SNL," hosting the Oscars, "When Harry Met Sally," Rob Reiner, Norman Lear, Robin Williams, and more. Many - but not all - of these apparent diversions ultimately tie in to the central story and theme, and I expect as Billy and Scott Ellis continue to refine the piece they might jettison some of the more peripheral material or find ways to strengthen the connective tissue. But I can already tell you with some assurance that this will be a performance not to be missed, so get your tickets when they're available. Opening in October at the Booth.
Updated On: 5/19/26 at 06:11 PM