Caught the matinee on Friday. The Mezzanine was not close to full (the sides were entirely empty as were the last 5 or six rows). This allowed my sister and I to move much closer for Act II, which was wonderful.
Let me preface this by saying: I'd never seen another production of Ragtime and never even heard the music before, so other than the most basic of plot lines, I went into this cold and very much looking forward to it.
Wow, I really liked it. A lot. I REALLY wish I had moved closer to the front of the mezz earlier, because I think that would have made a huge difference to my overall enjoyment. Loved the set (except when I couldn't clearly see all the levels - a peril due to my seating), loved the music, loved the entire feel.
SO many outstanding performances that it's hard to list them all here:
Quentin Earl Darrington was the soul of the show as Coalhouse. He was enitely riviting throughout. I was moved by his every motivation. The sheer joy on his face at curtain calls was practically worth the price of admission.
Christiane Noll was stunning. The depth she brought to her stillness was simply stunning. (I don't know how much sense that makes to anyone else.)
Ron Bohmer's father was so complex....a journey that isn't over. Beautiful.
Bobby Steggert (younger Brother) was perhaps my favorite role. (I don't know how much of that comes from the actor v the story). I love seeing a character that goes through so many changes and becomes one of conviction.
Stehpanie Umoh (spelling?) was beautiful and tragic, but OH, I would have loved to have seen Audra.
The more I think about the show, the more I want to return!
I hope Ragtime finds the audience it deserves and has a long healthy run!
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.