Sammy232 said: "Kad said: "The majority of the creatives are still women, even if there are fewer than there were at the Public." am I counting wrong? I'm seeing 4 women (+1 associate) and 5 men?"
The important thing is that the people who are making the big decisions are entirely women: Author, two Lead Producers, Director, Choreographer, and Music Director, plus the Casting Director and General Manager.
Those women hired who they felt were best for the show, and it happened to be 4 male designers. I'm reminded of Michael R. Jackson pushing back to "criticism" about having a white director & producer for STRANGE LOOP: "There’s this hunger to infantilize me, or any Black artist, for making the choice to collaborate with who they want to collaborate with, and always wanting to use race or gender or some identity marker as an assumed obstacle, when it may not be at all. I wish that people would respect the choices that artists make and not want to undermine them by assuming that there’s some sort of racial discord that is always waiting to tear people apart or animate their artistic decisions. I’m a grown man, and I stand behind my artistic choices."
Replacing the Public design team feels like a largely symbolic gesture to signal greater change to investors, journos, and people like us. Those original designers could have been asked to radically rethink their designs for Broadway - and they're talented enough to do so - but the team clearly wanted the spin of "look at all these new people". Which is fine.
Updated On: 10/21/23 at 10:21 AM