Broadway Legend Joined: 2/15/05
The reason I think shows like Sweeny or Into the Woods are being considered great scores, is because most of it is sung through, and if you take out one song, the rest of them don't make sense. I was thinking about this last night. For some reason, i've become infactuated with Sondheim. I don't normally like the "classic" sounding Broadway, but i'm slowly getting there. I think Company is another score that is "perfect". As in, all the songs fit the show well, I wouldn't consider the score to one of my favs, but I think it suits the show well.
Broadway Legend Joined: 12/8/04
Marie Christine
Sorry.
Cabaret
Fiddler
Jesus Christ Superstar
I have struggled a lot with Les Mis - but I couldn't imagine it without Turning...
Updated On: 11/4/05 at 01:52 PM
Well of course West Side Story. In addition to everysong being amazing and meaningful, the score/songs themselves, especially melody and instrumentations are amazing, intelligent and flawless.
Also will agree w/ Into the Woods and Ragtime. There are many CDs I don't skip songs in(Aida, Rent, Wicked, etc) but I suppose there certainly are songs stronger than others.
Also I only own the highlights CD to Miss Saigon so I suppose I can't make the case but having recently seen the show if I had the full CD, I couldn't imagine skipping any. Everyone song is so distinct and beautiful.
Broadway Legend Joined: 12/31/69
Light in the Piazza
I don't really have any other scores that I can listen to like Piazza, though.
Ragtime
Into the Woods
These are the only two that I can think of where I'm completely, unreservedly thrilled with everything. I've never seen/heard Gypsy, but it's reputed to be near-flawless.
I love Wicked, but the score is far, far from perfect. There are some serious clunkers ("Something Bad," and I'm not a fan of "Dancing Through Life"). Although I think the songs all work onstage, it makes for a very inconsistent cast recording. Also, am I the only one who's sort of jarred by the transitions from traditional/operatic ensemble numbers to power pop balladeering?
Songs for a New World
The Last Five Years
Into the Woods
Light in the Piazza
Broadway Star Joined: 11/12/04
West Side Story (Is there any more thrilling dance music in the theatre EVER?!)
A Little Night Music
Company
Follies
Sweeney Todd
Evita
My Fair Lady
Gypsy
Guys & Dolls
Ragtime
Les Miserables
Cabaret
Chicago
Dreamgirls
King & I
South Pacific
I think its safe to say that I don't skip any tracks listening to these albums.
Broadway Star Joined: 5/9/05
Well I will go ahead and say it:
Wicked!
I have plenty more but I honestly love the music! This is MY opinion, and I am PROUD to have it!:)
There is no such thing as a perfect score. Here are a few that come close, though, in my opinion:
Sweeney Todd
A Little Night Music
South Pacific
Carousel
Marie Christine
Caroline, or Change
Sunday in the Park with George
Porgy and Bess (probably the closest thing to perfect EVER)
The Threepenny Opera
Ragtime
Last Five Years, most definatly.
I also love every second of The 25th Annual Putnam County Spelling Bee.
"West Side Story (Is there any more thrilling dance music in the theatre EVER?!) "
Noo!
"Chicago"- Every song is perfect and fits the show perfectly
"Ragtime"- Brilliant. So many people complain that the show is anthem-filled (especially the second act) and that "He Wanted to Say" could be done without, but it is beautiful and the score is perfect.
"Mack and Mable"- Revive it already. I can't stand "Hello Dolly!"...well, it's okay. I think this score not only has one of the best overtures, but one of the greatest, most underrated scores ever.
"Mary Poppins" in London- Well...except for the way they mauled "Feed the Birds" and turned it into a high voltage song that sounded like something out of "Hunchback", the score is great. I love the movie, but Stiles and Drewe greatly expanded on the Sherman Brothers great songs for the more...literate British (Halitocious? Rococococious-well if that is a world? God, what a vocabulary lesson!) And yes, the Law and Order scene set in the toy room isn't too bad. And "Being Mrs. Banks"...as much as I loved "Sister Suffragette" from the film, is beautiful.
And how can I not mention "Gypsy." No explenation needed...it is.
Some scores do come close to perfection.
"Follies"- I could do without "In Buddy's Eyes" and "One More Kiss", but that's it. Otherwise it's great.
"No Strings"- Alright, "Nobody Told Me" is fine, but another love ballad right after it! Come on! Oh yeah, and "La La La" isn't my favorite.
"Wicked"- The "plot heavy" songs like "Something Bad" or "Dear Old Shiz" which cannot be sung without the context of the show. Otherwise, it's perfect.
"Dirty Rotten Scoundrels"- If they'd cut "Oklahoma?", "Ruffhousin and Shuffhousin" and "Love Sneaks In"...it's great.
Updated On: 11/4/05 at 04:28 PM
Broadway Legend Joined: 9/12/04
Broadway Legend Joined: 8/6/05
i listen to All Shook Up everyday without ever skipping a song. in my opinion, it's perfect!
The only perfect score in my opinion is Jesus Christ Superstar. There is NO song in that score that I skip.
Light in the Piazza
Ragtime
The Wild Party
Sweeney Todd
Into the Woods
So many suggestions of Ragtime...
What about those stinkbomb numbers:
"Crime of the Century"
"Henry Ford"
"Harry Houdini, Master Escapist"
"What a Game"
Sweeney Todd-Great. Nearly perfect.
Ragtime-A truly grand score.
Gypsy-A classic, and the score is just perfect for the show.
Parade-This is the one album that when I listen to, I listen straight through, with no interruptions. Such a beautiful score.
And I'm surprised to see no mention of
Porgy and Bess
The Boys from Syracuse
Babes in Arms
Pal Joey
Finian's Rainbow
where almost every song has become a popular standard.
And I'm surprised to see no mention of
Porgy and Bess
I think you need to get your eyeglass prescription checked...I mentioned PORGY AND BESS not ten posts ago...
Porgy and Bess (probably the closest thing to perfect EVER)
Sorry, MEF. I glanced right over it. My faith in mankind is restored.
I'm going to base my list on scores that I never get tired of or never skip a song.
In saying that, I'd say:
GYPSY
SWEENEY TODD
RAGTIME
CAROLNE OR CHANGE
INTO THE WOODS
Broadway Legend Joined: 12/8/04
Oh yes, I completely left out Caroline!
MEF - I am glad you also said Marie Christine.
I would add LC's The Wild Party (I don't skip anything on that)
Updated On: 11/4/05 at 05:43 PM
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