@Synechdoche,
At the risk of harping too much on this same point - your comments about Alex Lawther were precisely what I was concerned about. Andrew Scott's Hamlet wasn't necessarily the best I've ever seen, but his portrayal of the character perfectly matched Robert Icke's production; extremely tender, contemplative, with potent emotions that were more deep than intense. He was very much up in his head, and also had a dry, understated wit. I can see why a more overtly brooding, bitter Hamlet would not fit well into this production.
But as for the handling of the text, I'm very much with Hogan. Icke's production is an absolute master class in implementing a directorial vision on both micro and macro scales, where he had a clear interpretation of the play, and infused it into every moment beat, and every line, in a way that felt totally organic, and in line with the spirit of the text.
This production, for me, was THE case for Hamlet in the modern age.