#1
Posted: 11/8/25 at 1:42pm
Anyone see it? You can go up to the box office and say “I’m here for the audition” to get 15 dollar tickets thru tomorrow. Has anyone tried that?
#2
Posted: 11/8/25 at 1:48pm
BroadwayFlash/Bandstand/CrustyBagel/AngelofHarlem/AfricanQueen/Cheesecake/Cockeyed Optimist/MarcusLyons/KrupYou:
No.
#3
Posted: 11/8/25 at 2:30pm
Today's performance was cancelled 10 minutes to showtime due to "actor illness"
I'm just here so I don't get fined
#7
Posted: 11/9/25 at 10:02am
THDavis said: "What’s PH?"
I don't even try to guess anymore. If I don't know what they are saying I just go to the next topic. :)
"I hope your Fanny is bigger than my Peter."
Mary Martin to Ezio Pinza opening night of Fanny.
#8
Posted: 11/19/25 at 12:25pm
Sarah Holdren: Nazareth Hassan’s ‘Practice’ Horrified Me, As Intended
https://www.vulture.com/article/nazareth-hassans-practice-horrified-me-as-intended.html
#9
Posted: 11/19/25 at 12:51pm
Is this selling well? PH is known for papering the first week of previews, maybe next week during the slow holiday week?
#10
Posted: 11/19/25 at 1:23pm
MezzA101 said: "Sarah Holdren: Nazareth Hassan’s ‘Practice’ Horrified Me, As Intended
https://www.vulture.com/article/nazareth-hassans-practice-horrified-me-as-intended.html"
Holdren absolutely nails it here. Given my line of work, it usually takes A LOT to unsettle me on a psychological level and this play did EXACTLY that. I would go so far as to say Ronald Peet is giving one of the BEST performances in a play that I have seen this year - almost TOO real as a sociopath, infused with a lot of self-m@sturbatory Jeremy O. Harris type qualities
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#11
Posted: 11/20/25 at 11:37am
Theater as a Safe Space? ‘Practice’ Demolishes That Idea.
https://www.nytimes.com/2025/11/20/theater/practice-review-nazareth-hassan.html?unlocked_article_code=1.2k8.g_7I.0BaT-GhwTksn&smid=nytcore-android-share
#12
Posted: 11/25/25 at 1:03pm
Finally seeing it this afternoon, the show should start imminently. The first act is 2 hours. It runs through December 7. Will Brill is here, I just saw him on stage last Saturday
#13
Posted: 11/25/25 at 4:26pm
Ohmygod that was amazing!! Very performance arty and you have to just go with it, but I’d highly recommend it. And it just extended a week til the 14th. I love it stylistically where it’s so weird and ridiculous but they’re playing it serious and the audience has a scattered reaction, people laughing, people gasping, people amused. I loved it. It’s over three hours by the way. Excellent performances all around especially Ronald Peet. Go see it!!
#14
Posted: 11/25/25 at 4:40pm
I was also at the matinee and between this and Bowl EP, Nazareth Hassan has rocketed to the top of my favorite writers list.
It is very out there but the second act melted my brain in so many ways.
I could see this in the pulitzer conversation next year for sure
#16
Posted: 12/1/25 at 10:51am
For my money among the very best, most exciting productions I've seen in the last few years. Run don't walk
#17
Posted: 12/3/25 at 10:55pm
I grabbed a ticket for tonight’s show based on word of mouth here and from a few friends and, I gotta say, it did not hit with me. Maybe it’s because I lived through four years of college and professors offering up their own individual brands of egomania and casual abuse, followed by nearly a decade of directors doing the same, but I found little of the tension and discomfort others have cited. Masturbatory and self-aware is still masturbatory at the end of the day.
#18
Posted: 12/4/25 at 2:11pm
That’s the enjoyment of the play. Is watching the character of Asa. It’s a masterpiece.
#19
Posted: 12/9/25 at 11:12pm
I liked this quite a bit (with some reservations). Between this, QUEENS, LIBERATION, CARTOZIANS, and PRINCE FAGGOT, we have been spoiled rotten with ace ensembles in plays this year. Not a weak link in the bunch here. They are all working their asses off.
One ancillary thought: why do long plays lie about their duration? LOL - Just tell your audience up front so they can plan accordingly. The PH website says 2:45, the ushers told everyone upon arriving it runs 3hrs, and it actually ended up being about 3:15.
It’s definitely a long sit, and doesn’t quite justify its length in the way that, say, STEREOPHONIC did, but its overall very much worth catching.
Updated On: 12/10/25 at 11:12 PM
#20
Posted: 12/10/25 at 9:48am
WiCkEDrOcKS said: "
One ancillary thought: why do long plays lie about their duration?LOL - Just tell your audience up front so they can plan accordingly. The PH website says 2:45, the ushers told everyone upon arriving it runs3hrs, and it actually ended up beingabout 3:15."
This drives me CRAZY! Quite a few shows have done this recently and I don’t understand it.
#21
Posted: 12/10/25 at 1:33pm
I don’t think it’s an intentional lie. Given showtimes are hardly pinpoint accurate since shows never begin on time, but also show pacing and length of intermission may vary. I know Practice has a very involved intermission sequence (that I won’t spoil) and that may take longer some days more than others in order to ensure it is safe to be used. My performance ran around 2:55 a few weeks ago.
I do understand the frustration though since people hinge plans on the start and stop times of these shows.
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#22
Posted: 12/12/25 at 12:51am
The revelation in act 2 that all this emotional trauma they succumb to and participate in adds up to something
Click Here To Toggle Spoiler Content
Bad
Is just ABsolutley brilliant. Was it all worth it??
#23
Posted: 12/12/25 at 7:40am
raddersons said: "The revelation in act 2 that all this emotional trauma they succumb to and participate in addsup to something
Click Here To Toggle Spoiler Content
Bad
Is just ABsolutley brilliant. Was it all worth it??"
I don’t think that’s necessarily the case. If you’ve seen actual performance art, it’s really not that far off. Practice’s version of that is certainly heightened, but it’s nevertheless part of two different arts institutions’ season programming. In the world of the play, I could easily see it presented at BAM and lavished with purple prose in the Times. It’s silly, but it’s also rigorous and intense, and that’s hard to call outright
Click Here To Toggle Spoiler Content
“bad”
#24
Posted: 12/12/25 at 9:46am
We’re on the same page. I was oversimplifying. I think what makes the show so thought provoking is the matter of perspective of that second act. To the actors it’s a day job. As the audience of Practice it’s actually self aware and impressive. But to a blind audience watching Self Awareness Exercise 001 without knowing the mindf*ck they needed to do to get there…
Hassan’s two plays I saw this year truly rip the standard structure of theater into smithereens and it’s all quite satisfying if you’re willing to go there with him as an audience member.
Updated On: 12/12/25 at 09:46 AM
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