He was very good Brody. I felt that O'Malley was miscast from a singing viewpoint and the above clip shows why. She hacked and sawed her way through the songs. Jill O'Hara (as I remember from the third row, once and midway back at the Shubert several times,) effortlessly tossed off her songs. She had an amazing voice, a real one-of-a-kind. It wasn't the standard Broadway voice. It sounded weird and probably wouldn't have worked in a cabaret or even a rehearsal hall, but somehow, up on that stage, with that amazing orchestra, it was the most colorful instrument in the mix. My parents also thought she sounded quite different from what we were used to hearing in a New York show in the 60s.
O'Malley is trying way too hard to bellow out that song, when O'Hara just let it slide out so simply and with painful emotion.
EDIT: On second watching, that song is WAY too fast. O'Malley is out -of-breath all over the place. They're galloping through the number and she's trying to keep up and belt. Poor girl....
http://www.broadwayworld.com/board/readmessage.cfm?thread=972787#3631451
http://www.broadwayworld.com/board/readmessage.cfm?thread=963561#3533883
http://www.broadwayworld.com/board/readmessage.cfm?thread=955158#3440952
http://www.broadwayworld.com/board/readmessage.cfm?thread=954269#3427915
http://www.broadwayworld.com/board/readmessage.cfm?thread=955012#3441622
http://www.broadwayworld.com/board/readmessage.cfm?thread=954344#3428699
Updated On: 4/4/10 at 08:20 PM