To further speak to Patina and her working in the future, prior to her doing SISTER ACT in London, there wasn't a job in New York she didn't book. Literally. If there was a role for an African-American girl in a musical project, odds are that Miller played or was offered it. She did the workshop of AMERICAN IDIOT, the workshop of THE BOOK OF MORMON, the workshop of THE NIGHTINGALE, HAIR in the park, ROMANTIC POETRY for Manhattan Theater Club, BEING ALIVE for New York Stage and Film and Philadelphia Theater Company, and recurred on ALL MY CHILDREN, all within a two year time span. Prior to that, during her senior year at Carnegie Mellon, she was flown to Los Angeles to screen test for Effie in Bill Condon's DREAMGIRLS film. She's that talented.
As ljay said, when she finally got SISTER ACT in London (after having understudied Deloris in the two premiere productions straight out of college,) it was one of three major job offers she had on the table. Hell- she wasn't back in town a month prior to SISTER ACT on Broadway before she got LOST IN THE STARS at Encores. She won't have any trouble continuing to be prominently employed.
Tonya Pinkins: Then we had a "Lot's Wife" last June that was my personal favorite. I'm still trying to get them to let me sing it at some performance where we get to sing an excerpt that's gone.
Tony Kushner: You can sing it at my funeral.
Updated On: 1/31/12 at 05:06 PM