I really don't think I'll renew my subscription if there's no musical. Their productions, in general, are very hit or miss, and nothing is really jumping out at me aside from Skintight. I guess we'll see.
Just seems like Roundabout is just bringing in other productions and not putting up anything new/interesting. Was hoping for something fun or at least an off-Broadway musical.
Tom Hollander is exquisite, but I found this production pretty disappointing when I saw it at the Menier Chocolate Factory. Won't be seeing it again in NY, unless there's someone in the supporting cast who I'm dying to see.
This is terrific news. I made a trip to London in March to see this (well, not just to see it, but it was the primary motivation for the trip), then came down with food poisoning the day of the performance and had to miss it.
I had been hoping for word that a performance had been taped and would be screened in US movie theaters, but a chance to see it live is even better, even if it is at the detested American Airlines Theater.
What do you find objectionable about The American Airlines theater? I saw Cherry Orchard there, and the theater was the only good thing about the experience. The mezzanine felt very close and I had plenty of leg room.
I guess what I mainly object to about the American Airlines Theater is that the mezzanine (where I usually sit) isn't broken up by aisles into a center section and side sections -- it's just undivided rows of about 40 seats per row. I know that this configuration enables them to fit more seats into the theater, but I find it almost claustrophobic to be in the middle of one of those rows, and it takes forever to get out of the theater at the end of a performance. But that's probably just my weirdness, and other people may not be bothered by it at all.
I usually don't pay any attention to the Roundabout -- but TRAVESTIES and TIME AND THE CONWAYS really pique my interest. I saw TRAVESTIES when David Merrick brought it to the Barrymore in 1975 and loved it. It's probably one of Stoppard's funniest and most clever plays, but it assumes some familiarity with James Joyce, Lenin, Dadaism, and 'The Importance of Being Earnest." TIME AND THE CONWAYS is similar to J.B. Priestley's best known "Time" play, "An Inspector Calls." It'll be interesting to see how Roundabout's subscribers react to these choices.
I'm not a Stoppard fan. I like to think I am a relatively smart guy, but his plays tend to fly right over my head. However, I begrudgingly saw this in London because I let my friend pick one of the shoes and it wound up being one of the best things I saw. Truly a well-done, well-made production. Its clarity was remarkable. And Marber's direction is a great deal of fun. Hollander is wonderful.
SO glad Americans will get to see this. ESPECIALLY now.
"I know now that theatre saved my life." - Susan Stroman